Who Turned Off the Lights? UFLI Foundations Lesson 117

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Who Turned Off the Lights?

Practice Words

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Page 1
On the right side of the image, a large illuminated monument and fountain dominate the scene, with dramatic beams of bright light radiating outward into the dark night sky, turning it brilliant yellow. Small flags line the base of the fountain. On the lower-left and center, a crowd of festival-goers stands gazing up at the spectacle — a boy rides on an adult's shoulders, smiling wide with excitement and waving a small flag, while nearby figures hold up phones to take photos and others wave flags of their own. A small child stands near the center looking toward the monument. The atmosphere is festive and joyful, with string lights and vendor stalls visible in the background. Multiple crowd members are visible — adults and children enjoying the festival.

It was the biggest night of the year. Bright beams of light shot up into the dark sky as a dad lifted his boy high to wave a tiny flag. 'Best night ever!' he yelled. All around, people held up phones and waved flags of their own. But no one spotted the shadow at the edge of the crowd, watching and grumbling.

Page 2
A nighttime aerial view of a small American town fills the left side of the image, seen from an elevated angle. Warm golden light glows from the windows of houses, shops, and storefronts, contrasting against the deep dark blue sky. Streets wind between the buildings where tiny figures walk along sidewalks and a small red vehicle drives along a road in the lower right area of the town. The right ~40% of the image is plain dark sky, suitable for text overlay. Several small figures are visible on the streets and sidewalks throughout the town — they are too tiny to identify individually but appear to be townspeople going about evening activities.

From up high, the town glowed like a box of tiny candles, with gold light spilling from each house, each shop, each window. But up in the dark sky, The Dark noticed the glow and huffed. 'Look at all those lights down there!' it cried. 'Don't they know the night is mine?'

Page 3
On the right side of the image, three stacked comic-style panels rendered in dark blue watercolor tones depict a young child experiencing a world without lights. In the top panel, the child sits at a table with a worried expression, struggling to see a plate of food and a glass in near-darkness. In the middle panel, the child reaches out with arms extended, looking anxious and disoriented as they feel their way through the dark room. In the bottom panel, the child is curled up in bed hiding under the covers with a scared expression, peeking out fearfully, the bedroom furniture barely visible in the deep nighttime darkness. The left ~40% of the image is plain white background.

So The Dark crept into a little house and flicked off the lights. A boy at the table blinked. He could not see his plate. He bumped into the edge of a chair as he reached for the door. At last, he dove under his bed cloth and pulled it up over his face. 'Who turned off the lights?' he whispered.

Page 4
On the left side of the image, a nighttime scene is shown from a bird's-eye view inside a dimly lit American home, rendered in blue-toned watercolor. A family is gathered in a room lit by a single candle on the dining table — two figures sit at the dining table, one reading a book by candlelight, while another stands nearby holding what appears to be a dish; a window behind them shows a dark night sky with a single candle glowing on the sill. In the lower-left, two children lie in bed under a patchwork quilt, and on the floor near the table, a cat prowls the dim room looking for a warm spot. The entire scene conveys a pre-electricity, medieval-like atmosphere with no modern lighting, matching the text's theme of living by the sun. The right ~40% of the image is plain white background.  There should be only one candle in the room.  There should be no candle on the windowsill.

The Dark slid from house to house, flicking off each light. One family had to huddle around a candle just to see each other's faces. A man squinted at a book by the flame, while two kids climbed in bed since there was nothing more to do. Even the cat looked cross. 'This,' said The Dark, 'is how night should be.'

Page 5
A busy nighttime city street scene viewed from an elevated angle, with the action spread across the center and right side of the image. On the right, colorful buildings line the roadside — a large two-story house and smaller storefronts — with people visible in the windows. The wide road stretches into the distance toward a city skyline of tall buildings and a Ferris wheel, with streetlights, traffic lights, cars, buses, a motorcycle, and a bicycle all navigating the illuminated road. Several pedestrians cross at a crosswalk in the middle of the scene, while others walk along the sidewalks on the right. In the lower right, a child sits on the curb near a small dog, watching the bustle of the city. The sky is dusky blue with stars beginning to appear, and streetlights cast a warm glow, reflecting the nighttime setting described in the text. Multiple unnamed pedestrians, cyclists, and motorists populate the scene.

But outside, the streets still blazed bright. Streetlights and traffic lights blinked and hummed as cars and buses rolled along, safe and steady. A kid sat on the curb with his little dog, watching it all. The Dark glanced down from a rooftop and scowled at the city below. 'Oh, come on. More lights?!'

Page 6
On the left side of the image, a chaotic urban intersection is shown from a bird's-eye view in near-total darkness, with cars, buses, and trucks tangled together in the middle of the intersection, blocking crosswalks. The traffic lights are dark and unlit. Several small figures of pedestrians are scattered among the vehicles — some stumbling between cars, some standing with arms raised waving and yelling in frustration, and others appearing to argue or gesture angrily at one another. Vehicles are pointed in various directions and nearly colliding, with gridlock stretching in every direction. The right ~40% of the image is plain white/light background, clear of any detail.

Click. The Dark shut off all the streetlights and traffic lights at once. Cars slammed into buses. Trucks tangled up in the middle of the road, and people stumbled between them in outrage, yelling, 'Who turned off the lights?' But The Dark just laughed and slipped away to find more lights.

Page 7
A lively nighttime carnival scene set against a dark blue starry sky. On the right side of the image, children giggle and ride a colorful carousel (merry-go-round), sitting on painted horse figures under a canopy of golden bulbs. A large Ferris wheel with glowing yellow lights and colorful gondolas twinkles in the center-right background against the starry sky. In the mid-ground, food and game stalls with bright awnings are visible, with families strolling among them. In the lower right foreground, a few children and adults look up at the attractions with excited, joyful expressions.

The fair was next, and it was huge. Kids squealed on a ride, circling on painted horses under a roof of golden bulbs. A giant wheel twinkled high in the night sky. Families strolled past game stalls and food stands while each ride spun, glowed, and hummed. The Dark took one look and hissed, 'That is the brightest thing I have ever seen!'

Page 8
On the left side of the image, a carnival scene is shown in muted, dark blue tones suggesting the power has gone out. A large Ferris wheel dominates the upper left, stopped mid-turn, with small figures visible in its gondolas — one child near the bottom looks up with a troubled, distressed expression. A carousel sits in the center-left, still and silent. Below and around the rides, a couple of kids stand idle on the ground, one clutching a balloon, looking disappointed. The overall atmosphere is dim and still, conveying that the carnival has shut down — no music, no laughter, no rides. The right ~40% of the image is plain muted blue background.

CLICK. The giant wheel groaned to a stop, the painted horses went still, and the fair went silent. A child near the bottom of the wheel looked up with wide, sad eyes. On the ground, two kids stood holding a balloon, staring at nothing in the dark. 'Who turned off the lights?' one of them said in a small voice, and this time, no one was laughing.

Page 9
A nighttime coastal scene with a tall red-and-white striped lighthouse on a rocky ledge on the left side, its powerful beam sweeping across the dark waves and starry sky. On the right side of the image, a large white-and-red ferry sails past on dark blue choppy waters, while a little wooden rowboat bobs nearby. A distant city skyline with twinkling lights is faintly visible along the horizon.

Out on the water, one light still burned. A tall red and white lighthouse swept its beam across the dark waves, helping ships dodge the rocks. A big ferry and a tiny rowboat sailed by, safe in the glow. The Dark spotted the lighthouse from the shore and growled. 'That,' it hissed, 'is the last one.'

Page 10
On the left side of the image, a huge ship plows through dark, churning waves at nighttime, bearing down on a small wooden rowboat. A boy in the rowboat grips his oars with a terrified, screaming expression as the vessel looms above him. Two small figures are visible peering through the ship's windows with worried faces. In the distant background on the dark shore, the unlit lighthouse stands as nothing but a silent dark tower — no signal, no warning. Birds fly across the dark sky.

The Dark shut off the lighthouse beam. A huge ship plowed through the waves, heading right for the tiny rowboat as the boy inside held on tight and screamed. On the dark shore, the lighthouse stood silent. No signal, no light. Suddenly, The Dark felt a chill of ice in its belly and whispered, 'Oh no. What have I done?'

Page 11
A wide nighttime view of a bustling American town seen from an elevated angle, with all activity on the right side of the image. In the lower right, a train rumbles along the tracks with headlights blazing. The town stretches across the center-right, filled with colorful buildings, houses with warmly glowing windows, cars traveling the roads with their headlights on, streetlights glowing, and a distant carnival sparkling on the horizon with a Ferris wheel and fairground lit up. A dark night sky fills the upper portion, emphasizing how every single light — from a streetlamp to a window candle — keeps the town alive after dark. The left ~40% is plain dark sky and muted background.

The Dark did not stop to think. It just let go. All the lights in town blazed back to life at once. The train raced down the tracks, headlights blazing, cars rolled safely down the roads, and houses glowed bright from inside. The town hummed, bright and alive once more. But The Dark hung back in the sky, all alone, feeling very small.

Page 12
On the left side of the image, four children play joyfully at nighttime surrounded by various light sources under a starry sky. One child stands with arm raised waving a bright glowing star wand, grinning widely; another child beside them laughs with arms outstretched amid colorful sparkle-filled string lights draped around them. In the foreground, a third child carries a little glowing lantern, and a fourth child twirls a green glow stick overhead, smiling broadly. Small floating lights and stars dot the dark blue background. The right side of the image is open dark sky, clear for text.

Then four kids came outside. One waved a star wand, one laughed under sparkly string lights, one held a little lantern, and the last twirled a green glow stick. They were not chasing The Dark off, they were dancing in it. 'Stars need you to sparkle,' called the kid with the lantern. The Dark blinked, then smiled for the very first time. Turns out, the best lights are not the ones that fight the dark. They're the ones that dance with it.

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