Magic Nut Bars Take Ages Jolly Phonics · Step 3, Unit 3: soft g as in giant

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Magic Nut Bars Take Ages

Practice Words

giant huge ages change gems gym large magic stage surges urge
Page 1
On the left side of the image, Gran stands in a lush garden beside a house, leaning forward slightly as she holds a garden hose connected to a water tank mounted on the side of the house, watering the dense green bushes and plants around her. She has a warm, focused expression. The child stands to Gran's left, smiling cheerfully with one arm raised in an excited wave or celebratory gesture. The scene is set outdoors on a bright day in a suburban backyard, with the side of a house and its tiled roof visible behind them, and thick green foliage filling the lower portion of the image. The right ~40% of the image is open, plain pale sky with no characters or detail.

Gran has a plan. She hooks the pipe to the tank. 'Ted,' she calls, 'we will make the best magic nut bars ever!' Ted jumps up high. 'Yes! Let's go get some!' Gran aims the pipe at her nut trees and grins. 'Get? No, no, no. We start from the tree.'

Page 2
In the lower half of the image, the child is jumping joyfully among lush garden plants with both arms raised high and a wide, excited grin. Gran stands to the right, smiling warmly and looking at the child with one hand raised in a gentle gesture, holding a water bottle in her other hand. They are outdoors in a sunny backyard garden surrounded by green leafy bushes and plants, with a plain pale yellow sky filling the top half of the image.

'First, we grow them well!' Gran says. Ted leaps in the yard and yells at the trees. 'Grow up tall! Grow up huge! Grow giant nuts as big as me!' Gran grins as he hops from plant to plant. 'That's it, Ted. Keep at it!' Ted does not see what is to come.

Page 3
On the right side of the image, Gran sits on a small wooden platform attached to a rope-and-pulley lift system rigged to a large tree, holding a stick or tool, looking calm and determined as she is hoisted upward. The child stands near the center-left, gripping and turning a large wheel/winch mechanism connected to the rope, with an excited expression. The scene is set outdoors in a sunny suburban American backyard with leafy trees, green shrubs, and houses visible in the background.

Gran has made a lift. Ropes and a little seat, all set on the huge tree. She sits up there, proud as can be. 'Turn it, Ted!' she calls down. Ted grips it and cranks with all his might. It groans. Ted groans. Gran goes up, up, up in the tree. 'Is this the hard part?' Ted puffs. Gran just grins.

Page 4
On the left side of the image, Gran is perched partway up a tree, on a small wooden platform attached to a rope-and-pulley lift system, smiling cheerfully as she sends green fruit sliding down a long wooden plank that angles from the tree trunk toward the ground. Several fruit are tumbling down the slide mid-air, landing into a large woven basket waiting at the bottom. The child stands on the ground near the basket, looking up at Gran with an eager, excited expression, ready to help collect the fruit. The scene is set outdoors in a sunny backyard with lush green bushes and trees in the background, with the right side of the image fading to a plain warm-toned background.

High in the tree, Gran sends the nuts down a long plank. They roll and drop down in a heap. One, then more, then more. Five fat nuts in all! 'That's the lot!' Gran calls, grinning in the leaves. Ted looks at the giant heap. 'Now can we make the bars?' 'Sweet Ted,' says Gran. 'This is just the start.'

Page 5
On the right side of the image, Gran stands leaning forward with a determined expression, gripping a large coconut husk and using a tool to cut through it. The child stands nearby on the far right, smiling and reaching forward eagerly to help or receive the coconut. They are positioned on a low stone ledge or step outside the front of a suburban American home, with a blue-shuttered window visible behind them. A small pile of coconuts sits on the ledge between them. The scene is set outdoors in warm daylight.

The husk is thick and hard. It will not come off. Gran grabs her blade and chops at it. Ted grips a large bit and tugs. He tugs and tugs. It still will not come off. 'This nut is not keen to be a bar,' Ted says. 'Too bad for the nut,' says Gran.

Page 6
On the left side of the image, the child stands with a tired, slightly reluctant expression, hands clasped together in front, looking off to the side as if wanting to slip away to play. Nearby, Gran stands with a firm but warm expression, one hand on her hip and the other hand raised in a beckoning gesture, calling the child back to work. The scene is set against a plain, soft yellow background.

Ted has an urge to slip off. Just a little rest in the shade. 'Not so fast, Ted!' Gran calls. Ted stops still. Gran stands with a hand on her hip. 'We are not at the end.' Ted lets out a big, big groan. But Gran has the plan. Gran always has the plan. That is the thing about Gran.

Page 7
On the right side of the image, Gran stands with a determined, confident expression, raising a large blade high above her head with one hand while holding a cracked coconut in the other, coconut water splashing outward. The child kneels beside her on the ground, looking up with wide-eyed excitement, arms extended holding a bowl to catch the coconut water as it streams down. The scene is set against a plain, muted green-yellow background with a soft circular wash behind the characters, keeping the left side clear.

Gran lifts the blade up high. 'Here we go!' she calls. Ted holds out the bowl. She swings it down. Crack! The nut splits wide, and water surges out. He leans, he reaches, he gets each last drop. 'Got it!' Ted shouts. 'Not a drop, not a drip, not a spill!' Gran just nods, cool as ever.

Page 8
On the left side of the image, the child stands at a kitchen counter with a determined, straining expression — teeth gritted and brows furrowed — using a red hand-cranked tool to scrape out the flesh of a large brown coconut. Gran is partially visible at the far left edge, smiling warmly as she works at the counter beside the child. The scene is set indoors in a home kitchen, with pots steaming on a stove in the background and a bowl of scraped coconut flesh on the counter. The right ~40% of the image is plain background.

Now they scrape the nut from the shell. Gran hands Ted a red crank tool. Ted cranks it hard. Not a bit comes off. He cranks harder. His arms burn. This is harder than the gym! 'Is this the hard part?' Ted groans. 'Still asking that!' Gran says with a grin. She taps his back. 'The hard part is at an end now.' Ted does not think so. Not one bit.

Page 9
In the lower-left portion of the image, Gran stands at a kitchen stove, smiling warmly as she pours grated coconut from a small pan into a large mixing bowl, with steam rising from the bowl. The child stands beside her to the right, eyes closed and smiling contentedly, hands raised as if savoring the aroma. The scene is set in a cozy indoor kitchen with a gas stovetop, a jar on the counter, and a plain warm-yellow background filling the top half of the image.

Gran tips the nut in a big bowl on the stove. She stirs and stirs and will not stop. Then a big change! The sweetest smell is all round Ted. He takes a big, deep sniff. 'Gran. Gran. Is that what I think it is?' 'That,' says Gran, 'is what all that hard cranking smells like.'

Page 10
On the right side of the image, Gran stands at a small table, smiling warmly as she tips a bowl of shredded coconut into a rectangular baking tin. The child sits beside her at the table, resting their chin on their hands with an eager, excited expression, watching Gran work. The table holds a glass jar and other baking supplies. The scene is set indoors in a cozy kitchen with a plain wall behind them, giving a warm, domestic feel.

Gran tips the nut in the tin and smooths it flat with a spoon. 'Now for the bake,' she says. 'The last stage.' Ted sits with his chin on his hands and has a look at each bit. He will not miss this. Not after all that cranking and cracking and tugging and puffing. 'Gran,' Ted says. 'Are we at the end yet?' Gran winks. 'Soon.'

Page 11
In the lower-left portion of the image, Gran and the child sit at a kitchen table covered with a lace-edged cloth. Gran is seated on the left, smiling and leaning forward with both hands on a tray filled with coconut chunks. The child sits across from her on the right, smiling contentedly while placing a lid onto a glass jar filled with coconut pieces. A plate of coconut chunks also sits on the table between them. The top half of the image is plain pale yellow background.

The bake is at an end! Out come the chunks, hot and crisp, like little gems. 'Fill those jars up, Ted,' says Gran. Ted packs them in tight and presses the lids on firm. One jar. Then more. Three jars in all! 'Gran,' Ted says. 'Are we at the end now?' Gran grins. 'We are at the end.'

Page 12
On the left side of the image, Gran stands smiling warmly, holding a plate of freshly made treats. Beside her, the child stands with one arm raised triumphantly, holding up a treat with a wide, excited open-mouthed grin. The scene is set indoors against a plain, light background, with a soft shadow beneath both characters. The right side of the image is plain cream-colored background with no detail.

Ted grabs a bit off the plate and holds it up high. 'Got it!' he yells, and bites down. It is crunchy. It is sweet. It is the best treat Ted has had in ages. Gran takes a bit too. They munch and grin, saying not one thing. All that cranking and cracking and 'we are not at the end.' It is all there in that taste. So good.

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