¡Cuéntame un cuento, Papá! Nivel 79

4.1 Los niños califican los libros en la app Bookbot
¡Cuéntame un cuento, Papá! | Libro ATAL de vida cotidiana nivel 79

Palabras de Práctica

Oraciones simples, compuestas, principales y secundarias: una cláusula vs varias; principal y subordinada.

llueve
Página 1
On the left side of the image, Pa sits upright on a bed propped against a purple pillow, holding a steaming red mug of hot drink, with a warm, content expression and eyes gently closed as if mid-story. The Narrator is tucked into bed beside him, peeking out from under the purple blanket with wide, attentive eyes, listening. A small bedside lamp glows softly behind them. The right side of the image is plain bright yellow background, leaving space for text.

Papá cuenta las mejores historias para dormir del mundo entero. Mejores que los libros. Mejores que la tele. Mejores que cualquier cosa. Todas las noches se sienta en mi cama con su gran taza roja de chocolate, y todas las noches yo le digo: —Cuéntame una historia, Papá.

Página 2
On the right side of the image, the Narrator is tucked into bed with wide, curious eyes, looking engaged and attentive, while Pa sits on the edge of the bed beside the Narrator, leaning in with a dramatic, expressive gesture as he prepares to tell a bedtime story. The scene is set in a cozy bedroom with a bedside table and lamp, a chair nearby, small framed pictures on the wall, and an open door letting in a sliver of light. The left side of the image is plain yellow background, leaving space for text.

Esta noche, Papá se acerca tanto que puedo oler el chocolate en su aliento. —Esta noche —susurra— te voy a contar sobre una niña hecha de aire. Se llama Yuliana. —¿Una niña hecha de aire? —digo—. Eso no es real. Es un cuento inventado.

Página 3
On the left side of the image, an ornate red and yellow plaid armchair sits empty against a plain light blue background, its cushion slightly indented as though someone invisible is sitting in it. The chair casts a small shadow beneath it, and the rest of the scene is open empty space — reinforcing the text's idea that the girl made of air is present but unseen.

Yuliana no tiene una cara que alguien pueda ver. Nadie sabe su nombre. Puede sentarse justo a tu lado en un gran sillón rojo, y tú nunca lo sabes. ¿La única pista? Un pequeño hundimiento en el cojín. ¿Pero quién mira los cojines? Nadie. Eso es.

Página 4
On the right side of the image, Girl Made of Air stands in the rain, her translucent form barely visible as raindrops fall around and through her, revealing her subtle shape with small, gentle closed crescent-shaped eyes peeking out. She appears calm and still, standing beneath white clouds on a soft blue background, with rain puddles and splashes forming at her feet on the ground. The left side of the image is plain light blue, left open for text.

Cuando llueve, casi puedes verla. Las gotas se curvan y rebotan alrededor de una forma que no está del todo ahí, como agua que resbala sobre un secreto. Pero la gente pasa de largo. Todos están tan ocupados con sus paraguas que nadie nota a una niña hecha de puro aire.

Página 5
Girl Made of Air stands on the left-center of the image on a snowy ground, nearly invisible against the bright yellow background, with snowflakes resting on her head and shoulders — making her faint outline just barely visible. She has a calm, quiet expression with closed crescent-shaped eyes. To the far left, two children with umbrellas point toward her with bright, happy expressions, and in the center-left, a child in winter clothes pauses mid-step, holding a snowball, looking toward Girl Made of Air with delighted surprise. Snowflakes drift down across an outdoor snowy scene against a vivid yellow sky.

La nieve es mejor que la lluvia. Los copos caen sobre su cabeza y sus hombros y se quedan ahí, y Yuliana parece una niña de nieve sin cuerpo. Unos niños se detienen. Señalan. Susurran: —¿Ves eso?

Página 6
On the right side of the image, the Boy sits at a classroom desk with a shocked, open-mouthed expression, looking scared. Scattered on the desk in front of him are drawings and crayons — one green crayon floats in the air by itself, moving as if held by an invisible hand, drawing on the paper. The Girl Made of Air is faintly visible as a subtle face with closed crescent-shaped eyes hovering in the blue background just to the right of the Boy, blending into the air. The scene is set indoors in a school classroom, with a large blue area behind the desk suggesting a wall or window. The left side of the image is plain white background.

Una mañana, Yuliana hace algo valiente. Entra directo a una escuela, se sienta en un pupitre y toma un crayón. El niño de al lado grita tan fuerte que la maestra deja caer su café. Porque, desde donde él mira, un crayón verde dibuja solito una forma verde y temblorosa.

Página 7
On the left side of the image, the Boy's arm extends from the left edge, holding a paintbrush dripping with yellow paint. He has just begun painting Girl Made of Air's face — only her closed, content crescent-shaped eyes and a small smile are visible as yellow paint marks against the blue sky background. Girl Made of Air appears serene, with her eyes gently closed as the Boy paints. The scene is set outdoors against a clear blue sky, with the right side left as open sky.

—Por favor, no te asustes —dice una voz desde la silla vacía—. Solo quiero dibujar. El niño se queda mirando. Luego susurra: —¿Puedo pintarte la cara? ¿Para poder verte? Ella se queda muy quieta. Él moja el pincel en pintura amarilla y, con mucho cuidado, le pinta dos ojos y una sonrisa.

Página 8
On the bottom-right corner of the image, Girl Made of Air is shown from the shoulders up with yellow-painted closed crescent-shaped eyes and a peaceful, contented smile marked in yellow paint on her face. Her voluminous, swirly white-blue hair flows upward and outward, filled with whimsical painted objects — a heart, a star, a cat, music notes, cherries, and other favorite things — all rendered in a playful, doodle-like style. On the left side, the Boy stands nearby holding a paintbrush with paint dripping from it, looking pleased with his work. The background is a plain light blue sky.

—¡Más! —dice Yuliana—. ¡Lléname el pelo de cosas que me encantan! Así que el niño pinta un corazón. Una estrella. Un gato gordo y feliz. Notas de música que casi tararean. Y muchas cerezas hasta arriba, porque ¿por qué no? —¿Cómo me veo? —pregunta ella. El niño sonríe de oreja a oreja y responde: —Como una canción.

Página 9
On the left side of the image, Girl Made of Air walks forward across a white background, her translucent body now painted with bright colors — making her outline visible. She has yellow-painted closed crescent-shaped eyes and a cheerful smile, with her swirly white-blue hair filled with painted hearts, stars, and music notes. A trail of colorful painted footprints — in bright blue and red — stretches behind her, with a red paintbrush lying among them and small yellow sparkle marks suggesting freshly applied paint. The right side of the image is plain white background.

Después de eso, Yuliana se pinta todas las mañanas. Corazones en los brazos. Estrellas en los dedos. Huellas de colores por donde camina, para que el mundo entero pueda seguir su rastro. Ya no se esconde. Se anuncia.

Página 10
On the right side of the image, Girl Made of Air stands on a gentle blue hill, with yellow-painted closed crescent-shaped eyes and a peaceful, contented smile. Her translucent body is filled with colorful painted images of things she loves — hearts, stars, a sun, flowers, a smiley face, and other cheerful doodles — making her visibly radiant with small sparkles emanating around her. Her swirly white-blue hair flows with curling wisps, also filled with painted objects. A looping red swirl floats in the sky above, and small red flowering plants and yellow leafy bushes dot the hillside around her. The left side is open white background. The scene is bright and outdoors with a joyful, celebratory mood.

Y un día, parada sobre una colina, cubierta de todos los colores y de todas las cosas que ama, sucede algo maravilloso. Por fin la gente puede ver a Yuliana. No porque la pintura la haga visible. Es porque está tan llena de quien es de verdad, que es imposible no verla.

Página 11
On the left side of the image, the Narrator is tucked into a large bed with a red frame and purple blanket, peeking out from under the covers with a thoughtful, contemplative expression — as if pondering the story they just heard. Pa sits on the edge of the bed beside the Narrator, smiling gently as he finishes his tale. The scene is an indoor bedroom setting with a bright yellow background. The right side of the image is plain yellow background.

Papá se queda callado. Bebe el último sorbo de su chocolate. —¿Y bien? —preguntó—. ¿Cuento inventado? ¿O verdad? Me subo la cobija hasta la nariz y pienso con todas mis fuerzas. ¿Una niña hecha de aire de verdad? Eso es imposible. Es ridículo. —Inventado —digo—. Totalmente inventado. Papá sonríe y me da un beso en la frente. —Buenas noches.

Página 12
On the right side of the image, the Narrator is lying in bed, tucked under the covers with just their head visible on the pillow, eyes open with a slightly anxious expression. The bedroom door on the far right is creaking open, with bright light spilling in from the hallway — but no one is there. A chair and a bedside lamp sit beside the bed, and small pictures hang on the wall above. The left side of the image is plain yellow background. The scene is set indoors at nighttime, with an eerie, suspenseful mood created by the mysteriously opening door and the empty doorway.

Papá apaga la lámpara. Sale. Cierra la puerta. Y entonces, muy despacio, la puerta cruje y ¡se abre otra vez! La luz del pasillo se cuela adentro. Pero no hay nadie. Me subo la cobija hasta la barbilla. No abras esa puerta. No abras esa puerta. ¡No abras esa puerta!

Página 1 de 12

Descarga Bookbot ahora para
COMENZAR