Is This the Hard Part? UFLI Foundations Lesson 99

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Is This the Hard Part?

Practice Words

arms bars hands branches bushes drops grins jars lids plants ropes trees wheels chunks coconuts eyes smells tries
Page 1
On the left side of the image, Gran stands in a lush garden beside a house, leaning forward slightly as she holds a garden hose connected to a water tank mounted on the side of the house, watering the dense green bushes and plants around her. She has a warm, focused expression. The child stands to Gran's left, smiling cheerfully with one arm raised in an excited wave or celebratory gesture. The scene is set outdoors on a bright day in a suburban backyard, with the side of a house and its tiled roof visible behind them, and thick green foliage filling the lower portion of the image. The right ~40% of the image is open, plain pale sky with no characters or detail.

Gran had a plan. 'Today,' she said, 'we will make the best coconut bars in the world.' Sam jumped up and waved her arms. 'Yes! Let's go get some!' Gran aimed the hose at her bushes and gave a slow, sly smile. 'Get some? No, no, no. We start from scratch.'

Page 2
In the lower half of the image, the child is jumping joyfully among lush garden plants with both arms raised high and a wide, excited grin. Gran stands to the right, smiling warmly and looking at the child with one hand raised in a gentle gesture, holding a water bottle in her other hand. They are outdoors in a sunny backyard garden surrounded by green leafy bushes and plants, with a plain pale yellow sky filling the top half of the image.

'First, we grow them right!' Gran said. Sam jumped among the plants and called out to the trees. 'Grow up tall! Grow up huge! Grow coconuts the size of my head!' Gran held her water bottle and watched Sam bounce from plant to plant. 'That's the spirit,' she said with a smile. 'Keep at it!' Sam had no clue what was next.

Page 3
On the right side of the image, Gran sits on a small wooden platform attached to a rope-and-pulley lift system rigged to a large tree, holding a stick or tool, looking calm and determined as she is hoisted upward. The child stands near the centre-left, gripping and turning a large wheel/winch mechanism connected to the rope, with an excited expression. The scene is set outdoors in a sunny suburban American backyard with leafy trees, green shrubs, and houses visible in the background.

Gran had made a lift. A real lift! Ropes and wheels and a wood plank, hung on the big tree in the yard. She sat on it like a queen on a throne. 'Turn the wheel,' she called down. Sam took the wheel and cranked hard. It groaned. Sam groaned. Gran went up, up, up into the branches. 'Is this the hard part?' Sam puffed. Gran just smiled.

Page 4
On the left side of the image, Gran is perched partway up a tree, on a small wooden platform attached to a rope-and-pulley lift system, smiling cheerfully as she sends green fruit sliding down a long wooden plank that angles from the tree trunk toward the ground. Several fruit are tumbling down the slide mid-air, landing into a large woven basket waiting at the bottom. The child stands on the ground near the basket, looking up at Gran with an eager, excited expression, ready to help collect the fruit. The scene is set outdoors in a sunny backyard with lush green bushes and trees in the background, with the right side of the image fading to a plain warm-toned background.

From high in the tree, Gran sent coconuts flying down a wood slide. They tumbled and bounced and thunked into the basket below. One. Two. Three. Four. Five! 'That's the lot!' Gran called down with a big grin. Sam looked at the pile of fat coconuts. 'Now can we make the bars?' 'Sweet child,' said Gran. 'We have not even started.'

Page 5
On the right side of the image, Gran stands leaning forward with a determined expression, gripping a large coconut husk and using a tool to cut through it. The child stands nearby on the far right, smiling and reaching forward eagerly to help or receive the coconut. They are positioned on a low stone ledge or step outside the front of a suburban American home, with a blue-shuttered window visible behind them. A small pile of coconuts sits on the ledge between them. The scene is set outdoors in warm daylight.

The coconut husk was thick and hard and would not come off. Gran took her blade and got to work. Sam reached with both hands and pulled. And pulled. And pulled. Nothing. 'This coconut,' Sam said with teeth shut tight, 'will not turn into bars.' 'Too bad for the coconut,' said Gran.

Page 6
On the left side of the image, the child stands with a tired, slightly reluctant expression, hands clasped together in front, looking off to the side as if wanting to slip away to play. Nearby, Gran stands with a firm but warm expression, one hand on her hip and the other hand raised in a beckoning gesture, calling the child back to work. The scene is set against a plain, soft yellow background.

Sam's arms hurt. Sam tried to sneak off. Just for a tiny rest. Just to sit in the shade for one little minute. 'And where do you think you are going?' Sam froze. Gran stood with one hand on her hip. 'We. Are. Not. Done.' Sam sighed a big sigh. But Gran was right. Gran was always right. That vexed Sam.

Page 7
On the right side of the image, Gran stands with a determined, confident expression, raising a large blade high above her head with one hand while holding a cracked coconut in the other, coconut water splashing outward. The child kneels beside her on the ground, looking up with wide-eyed excitement, arms extended holding a bowl to catch the coconut water as it streams down. The scene is set against a plain, muted green-yellow background with a soft circular wash behind the characters, keeping the left side clear.

Gran lifted the blade high. 'Ready?' she said. Sam held out the bowl. Gran swung it down. Crack! The coconut split clean in two and water burst out. Sam dove, Sam stretched, Sam caught the drops in the bowl. 'Got it!' Sam yelled. 'Not a drop, not a drip, not a leak!' Gran just smiled. Of course Sam got it.

Page 8
On the left side of the image, the child stands at a kitchen counter with a determined, straining expression — teeth gritted and brows furrowed — using a red hand-cranked tool to scrape out the flesh of a large brown coconut. Gran is partially visible at the far left edge, smiling warmly as she works at the counter beside the child. The scene is set indoors in a home kitchen, with pots steaming on a stove in the background and a bowl of scraped coconut flesh on the counter. The right ~40% of the image is plain background.

Now Sam had to scrape the meat out of the shell. Gran handed her a red crank tool. Sam cranked it hard. Nothing. She cranked harder. Her arms shook. Her teeth hurt from holding them tight. 'Is this the hard part?' Sam asked. 'You keep asking that,' Gran said with a smile. She gave Sam a pat. 'The worst part is behind you now.' Sam did not think so. Not one bit.

Page 9
In the lower-left portion of the image, Gran stands at a kitchen stove, smiling warmly as she pours grated coconut from a small pan into a large mixing bowl, with steam rising from the bowl. The child stands beside her to the right, eyes closed and smiling contentedly, hands raised as if savouring the aroma. The scene is set in a cosy indoor kitchen with a gas stovetop, a jar on the counter, and a plain warm-yellow background filling the top half of the image.

Gran shook the coconut into a big bowl on the stove. She mixed and mixed and would not stop. Then something grand happened. The sweetest smell in the world filled the kitchen. It curled around Sam's nose and settled in her brain. Sam closed her eyes, held up her hands, and breathed in deep. 'Gran. Gran. Is that what I think it is?' 'That,' said Gran, 'is what hard work smells like.'

Page 10
On the right side of the image, Gran stands at a small table, smiling warmly as she tips a bowl of shredded coconut into a rectangular baking tin. The child sits beside her at the table, resting their chin on their hands with an eager, excited expression, watching Gran work. The table holds a glass jar and other baking supplies. The scene is set indoors in a cosy kitchen with a plain wall behind them, giving a warm, domestic feel.

Gran filled the baking tin with the coconut and smoothed it flat with a spoon. 'Let the bake begin,' she said. Sam sat with her chin on her hands and watched every single piece go in. She was not going to miss this. Not after all that cranking and cracking and pulling and puffing. 'Gran,' Sam whispered. 'Are we almost done?' Gran winked. 'Almost.'

Page 11
In the lower-left portion of the image, Gran and the child sit at a kitchen table covered with a lace-edged cloth. Gran is seated on the left, smiling and leaning forward with both hands on a tray filled with coconut chunks. The child sits across from her on the right, smiling contentedly while placing a lid onto a glass jar filled with coconut pieces. A plate of coconut chunks also sits on the table between them. The top half of the image is plain pale yellow background.

The bake was done! Gran took out golden chunks of coconut bar, all crunchy and sweet. 'Now,' said Gran, sliding the jars over. 'Fill them to the top.' Sam packed them in tight and pressed the lids on firm. One. Two. Three. 'Gran,' Sam said. 'Are we done now?' Gran leaned close. She had a big grin. 'We are done.'

Page 12
On the left side of the image, Gran stands smiling warmly, holding a plate of freshly made treats. Beside her, the child stands with one arm raised triumphantly, holding up a treat with a wide, excited open-mouthed grin. The scene is set indoors against a plain, light background, with a soft shadow beneath both characters. The right side of the image is plain cream-coloured background with no detail.

Sam took a piece off the plate and held it up high. 'Got it!' Sam shouted, and bit down hard. It was crunchy. It was sweet. It was the best thing Sam had ever tasted. Gran took a piece too. They stood there, munching, with big grins. All those tries. All that cranking and cracking. Every last bit of it was in that taste. Worth it.

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