Crack! Got It!

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Family Decodable Reader with Silent W Words

Practice Words

Words with the silent 'w' in the 'wr' combination, where only the /r/ sound is heard.

wrapped wrenched wrestled wriggle wriggly wringing wrinkled wrists wrong wry
Page 1
On the left side of the image, Gran stands in a lush garden beside a house, leaning forward slightly as she holds a garden hose connected to a water tank mounted on the side of the house, watering the dense green bushes and plants around her. She has a warm, focused expression. The child stands to Gran's left, smiling cheerfully with one arm raised in an excited wave or celebratory gesture. The scene is set outdoors on a bright day in a suburban backyard, with the side of a house and its tiled roof visible behind them, and thick green foliage filling the lower portion of the image. The right ~40% of the image is open, plain pale sky with no characters or detail.

Gran had a plan. 'Today,' she said, hooking the hose to the tank on the wall, 'we are going to make the best coconut bars in the whole world.' I jumped up and waved my arms. 'Yes! Let's go buy some!' Gran gave me a wry smile. 'Buy? Oh no, no, no. We start from scratch.'

Page 2
In the lower half of the image, the child is jumping joyfully among lush garden plants with both arms raised high and a wide, excited grin. Gran stands to the right, smiling warmly and looking at the child with one hand raised in a gentle gesture, holding a water bottle in her other hand. They are outdoors in a sunny backyard garden surrounded by green leafy bushes and plants, with a plain pale yellow sky filling the top half of the image.

'First, we grow them right!' Gran said. I ran through the garden, cheering the trees on. 'Grow up tall! Grow up huge! Grow coconuts the size of my head!' Gran held her water bottle and watched me wriggle from plant to plant. 'That's the spirit,' she said. I had no idea what I was in for.

Page 3
On the right side of the image, Gran sits on a small wooden platform attached to a rope-and-pulley lift system rigged to a large tree, holding a stick or tool, looking calm and determined as she is hoisted upward. The child stands near the center-left, gripping and turning a large wheel/winch mechanism connected to the rope, with an excited expression. The scene is set outdoors in a sunny suburban American backyard with leafy trees, green shrubs, and houses visible in the background.

Gran had built a lift. A real lift. Ropes and pulleys and a little wooden seat, all rigged to the biggest tree in the yard. She sat on it like a queen on a throne. 'Turn the wheel,' she called down. I grabbed the wheel and cranked with all my might. My wrists ached. Gran rose up, up, up into the branches. 'Is this the hard part?' I puffed. Gran just laughed.

Page 4
On the left side of the image, Gran is perched partway up a tree, on a small wooden platform attached to a rope-and-pulley lift system, smiling cheerfully as she sends green fruit sliding down a long wooden plank that angles from the tree trunk toward the ground. Several fruit are tumbling down the slide mid-air, landing into a large woven basket waiting at the bottom. The child stands on the ground near the basket, looking up at Gran with an eager, excited expression, ready to help collect the fruit. The scene is set outdoors in a sunny backyard with lush green bushes and trees in the background, with the right side of the image fading to a plain warm-toned background.

From high in the tree, Gran sent coconuts down a wooden slide. They bounced and thunked into the basket below. One. Two. Three. Four. Five! 'That's the lot!' Gran called through the leaves. I looked at the fat pile. 'Now can we make the bars?' 'Oh, sweet child,' said Gran. 'We have not even started.' I was so wrong about this plan.

Page 5
On the right side of the image, Gran stands leaning forward with a determined expression, gripping a large coconut husk and using a tool to cut through it. The child stands nearby on the far right, smiling and reaching forward eagerly to help or receive the coconut. They are positioned on a low stone ledge or step outside the front of a suburban American home, with a blue-shuttered window visible behind them. A small pile of coconuts sits on the ledge between them. The scene is set outdoors in warm daylight.

The husk was thick and tough. It did not want to come off. Gran grabbed her blade and got to work. I grinned and pulled at a piece with both hands. I wrenched it hard. Nothing. 'This coconut,' I said with a grin, 'does not want to be a bar.' 'Too bad for the coconut,' said Gran.

Page 6
On the left side of the image, the child stands with a tired, slightly reluctant expression, hands clasped together in front, looking off to the side as if wanting to slip away to play. Nearby, Gran stands with a firm but warm expression, one hand on her hip and the other hand raised in a beckoning gesture, calling the child back to work. The scene is set against a plain, soft yellow background.

I tried to sneak off. Just for a tiny break. Just to sit in the shade for one minute. 'And where do you think you're going?' I froze. Gran stood with one hand on her hip, her face wrinkled into a frown. 'We. Are. Not. Done.' I let out the biggest sigh of my life. But Gran was always right. That was the thing about Gran.

Page 7
On the right side of the image, Gran stands with a determined, confident expression, raising a large blade high above her head with one hand while holding a cracked coconut in the other, coconut water splashing outward. The child kneels beside her on the ground, looking up with wide-eyed excitement, arms extended holding a bowl to catch the coconut water as it streams down. The scene is set against a plain, muted green-yellow background with a soft circular wash behind the characters, keeping the left side clear.

Gran lifted the blade high above her head. 'Ready?' she said. I held out the bowl. She swung it down. Crack! The coconut split in two and water burst out. I dove, I stretched, my wrists shot out, and I caught every last drop. 'Got it!' I yelled. 'Not a drop, not a drip, not a leak!' Gran nodded like this was just what she expected. Because of course it was.

Page 8
On the left side of the image, the child stands at a kitchen counter with a determined, straining expression β€” teeth gritted and brows furrowed β€” using a red hand-cranked tool to scrape out the flesh of a large brown coconut. Gran is partially visible at the far left edge, smiling warmly as she works at the counter beside the child. The scene is set indoors in a home kitchen, with pots steaming on a stove in the background and a bowl of scraped coconut flesh on the counter. The right ~40% of the image is plain background.

Now we had to scrape the meat out of the shell. Gran handed me a red crank tool. I cranked it hard. Nothing. I wrestled with it harder. My arms shook. My teeth hurt from gritting them. 'Is this the hard part?' I groaned. 'You keep asking that,' Gran said. She patted my back. 'The worst part is behind you.' I did not believe her. Not one bit.

Page 9
In the lower-left portion of the image, Gran stands at a kitchen stove, smiling warmly as she pours grated coconut from a small pan into a large mixing bowl, with steam rising from the bowl. The child stands beside her to the right, eyes closed and smiling contentedly, hands raised as if savoring the aroma. The scene is set in a cozy indoor kitchen with a gas stovetop, a jar on the counter, and a plain warm-yellow background filling the top half of the image.

Gran poured the coconut into a big bowl on the stove. She stirred and stirred and would not stop. Then something amazing happened. The sweetest, warmest smell filled the kitchen. It wrapped around my nose and my brain. I closed my eyes and breathed in deep. 'Gran. Gran. Is that what I think it is?' 'That,' said Gran, 'is what all that hard work smells like.'

Page 10
On the right side of the image, Gran stands at a small table, smiling warmly as she tips a bowl of shredded coconut into a rectangular baking tin. The child sits beside her at the table, resting their chin on their hands with an eager, excited expression, watching Gran work. The table holds a glass jar and other baking supplies. The scene is set indoors in a cozy kitchen with a plain wall behind them, giving a warm, domestic feel.

Gran tipped the coconut into the baking tin and smoothed it flat with a spoon. 'Let the bake begin,' she said. I sat with my chin on my hands, legs wriggly with hope. I watched every piece go in. I was not going to miss this. Not after all that cranking and cracking and pulling. 'Gran,' I whispered. 'Are we nearly done?' Gran winked. 'Nearly.'

Page 11
In the lower-left portion of the image, Gran and the child sit at a kitchen table covered with a lace-edged cloth. Gran is seated on the left, smiling and leaning forward with both hands on a tray filled with coconut chunks. The child sits across from her on the right, smiling contentedly while placing a lid onto a glass jar filled with coconut pieces. A plate of coconut chunks also sits on the table between them. The top half of the image is plain pale yellow background.

Out of the oven came golden chunks of coconut bar, all crunchy and warm and perfect. 'Now,' said Gran, sliding a tray across the table, 'fill those jars right to the brim.' I packed them in tight, piece by piece, and pressed the lids on firm. One jar. Two jars. Three jars. 'Gran,' I said, wringing my hands. 'Are we done now?' Gran leaned close. She grinned. 'We are done.'

Page 12
On the left side of the image, Gran stands smiling warmly, holding a plate of freshly made treats. Beside her, the child stands with one arm raised triumphantly, holding up a treat with a wide, excited open-mouthed grin. The scene is set indoors against a plain, light background, with a soft shadow beneath both characters. The right side of the image is plain cream-colored background with no detail.

I grabbed a piece off the plate and held it up high. 'Got it!' I shouted, and bit down hard. It was crunchy. It was sweet. It was the best thing I had ever tasted. Gran took a piece too. We stood there, munching and grinning, saying nothing at all. All those tries. All that cranking and cracking. All that 'we are not done.' It was all wrapped up in that taste. Totally worth it.

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