¡Yo soy Pinchín! ¿Un abrazo? Nivel 71

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¡Yo soy Pinchín! ¿Un abrazo? | Libro ATAL de vida cotidiana nivel 71

Palabras de Práctica

Pronombres personales: yo, tú, él/ella, nosotros, ustedes, ellos/ellas.

se la las lo yo su sí los tú le me él mi te conmigo ellos ti
Página 1
On the right side of the image, Spike stands in his terracotta pot looking sad and hopeful, facing a group of three potted trees who are clustered together with smug, dismissive expressions. The scene is set outdoors on reddish-brown ground with a colorful flowering hedge running across the background under a white sky. Spike's posture is slightly hunched and uncertain, while the trees lean together as a clique, clearly rejecting him.

Pinchín es un cactus. Nunca ha tenido un amigo. Ni uno solo. Pero hoy siente algo en las espinas: hoy es el día. —¡Hola! —dice Pinchín, y salta hacia un grupo de árboles—. ¡Yo soy Pinchín! ¿Alguien quiere un abrazo? Los árboles se miran entre sí. Luego se ríen tan fuerte que sus hojas tiemblan.

Página 2
In the lower half of the image, Spike is shown in three sequential poses hopping cheerfully from left to right in his small terracotta pot, conveying movement across the scene. In each pose Spike has a happy, optimistic smile — unbothered and determined to keep going. Dashed bouncing lines between each position emphasize the hopping motion. The top half is plain white background, and the overall setting is a simple, minimal outdoor ground plane with soft shadows beneath the pot.

¿Llora Pinchín? ¿Se rinde? Para nada. —¡No importa! —dice con una sonrisa—. Ellos no están listos para un amigo tan genial como yo. Y cruza el jardín dando brincos, con su maceta sonando contra la tierra, mientras tararea una canción que él mismo inventa. La canción se llama «Alguien me va a querer».

Página 3
On the right side of the image, Spike is shown in a sequence of poses hopping across the scene in his terracotta pot, with dashed lines indicating his bouncing path. In the center-right, Spike stands in his pot looking up hopefully with a friendly smile at a grumpy orange tree, which has narrowed, annoyed-looking eyes peering out from its foliage. The outdoor scene features a warm peachy-orange ground with a colorful flower hedge running along the background.

Pinchín ve un naranjo que está solito. —¡Perfecto! —dice—. A ti te hace falta un amigo tranquilo para charlar. Yo soy buenísimo para charlar. Además, me encantan las naranjas. El naranjo lo mira con los ojos casi cerrados. —No. —¿No a charlar, o no a las naranjas? —No a todo. Vete de aquí.

Página 4
On the left side of the image, Spike stands in his terracotta pot on reddish-brown ground, facing a banana tree (also in a pot) that has a worried, fearful yellow face peeking out from its leaves. Spike has a slightly confused or uncertain expression, appearing to approach the banana tree. The scene is set outdoors in a garden with a colorful flower hedge running along the background under a plain white sky. Two additional small potted plant characters are visible — a flower to the right of the banana tree turning away, and another flower on the far left also moving away, both with small fearful facial features, fleeing the scene.

Después, Pinchín encuentra un banano de grandes hojas verdes y cara amarilla. —¡Hola! ¡Yo soy Pinchín! ¿Quieres ser mi am...? El banano le mira las espinas y grita: —¡Punzante! ¡Punzante, punzante, punzante!

Página 5
On the right side of the image, Spike is shown multiple times in a sequence — standing in his terracotta pot beside a tall mango tree and a smaller guava bush, both in pots with annoyed, sighing facial expressions. Spike appears with a hopeful but slightly sad expression as he approaches each tree. The scene is set outdoors in a sunny garden yard with a row of colorful flowering bushes in the background and warm reddish-brown ground. A dashed trail on the ground shows Spike's path moving from tree to tree, with one instance of Spike walking away toward the far right looking dejected.

Solo queda una planta. Un papayo gigante, al otro lado del jardín. Pinchín se acerca, pero esta vez no va dando brincos. Solo se queda ahí, mirando hacia arriba. —Déjame adivinar —dice el papayo desde lo alto—. Tú eres Pinchín. El que busca un amigo desde la mañana. Pinchín dice que sí con la cabeza.

Página 6
On the left side of the image, Spike stands in his terracotta pot looking up at Pawpaw tree with a hopeful, slightly shy expression. Pawpaw tree, also in a terracotta pot, towers over Spike and looks down at him with a calm, knowing expression. Pawpaw tree has a straight slender brown trunk, a round green leafy canopy forming its head with large round white eyes, small dark eyebrows, and a subtle smile, with several large lobed green fronds extending outward from the top like hair. They are outdoors in a garden setting with a colorful flower bed visible behind them, and the right side of the image is plain white background.

Solo queda una planta. Un papayo gigante, al otro lado del jardín. Pinchín se acerca, pero esta vez no va dando brincos. Solo se queda ahí, mirando hacia arriba. —Déjame adivinar —dice el papayo desde lo alto—. Tú eres Pinchín. El que busca un amigo desde la mañana. Pinchín dice que sí con la cabeza.

Página 7
Pawpaw tree stands on the right side of the image with a warm, welcoming smile and gentle eyes, looking slightly downward as if inviting someone closer. The tree's large leafy fronds spread outward like open arms against a plain white background. The scene is set outdoors in bright daylight with a calm, welcoming atmosphere.

El papayo extiende bien anchas sus grandes hojas, como dos brazos abiertos. —Todos te juzgan sin darte una oportunidad. Eso no es justo, ¿verdad? Ven, siéntate conmigo, Pinchín. A Pinchín se le ponen los ojos redondos de la sorpresa. —¿En serio? ¿Lo dices de verdad?

Página 8
On the left side of the image, Spike stands in his terracotta pot next to Pawpaw tree (also in a pot), both with surprised, wide-eyed expressions. Spike is shaking, mouth open in shock with his small arms raised, and Pawpaw tree looks upset and is trembling, with a worried frown, drooping green fronds, and a single sweat drop on her leafy crown. Motion lines surround both characters, suggesting an agitated reaction. The right side of the image is plain white background.

Hablan un buen rato. Pinchín cuenta chistes. El papayo cuenta historias del viento y de la lluvia. Todo es maravilloso. Entonces Pinchín se emociona, se inclina para reírse y... ¡pum! Una de sus espinas pincha una hoja del papayo. —¡Ay! —grita el papayo—. ¡Esa era mi hoja!

Página 9
On the right side of the image, Pawpaw tree stands with an angry, furrowed expression, frowning and looking upset, leaning away as if pulling back from someone. Its large leaf fronds are trembling with agitation, indicated by small motion lines above them. The left side of the image is plain white background, leaving ample space for text overlay.

El papayo se aparta de golpe. Sus grandes hojas tiemblan. —¡Yo lo sabía! ¡Todos me lo advirtieron! Fuera de aquí, Pinchín. Busca un amigo al que no puedas lastimar. —¡Perdón! ¡Fue sin querer! Yo no quise...

Página 10
On the left side of the image, Spike stands in his terracotta pot in an empty garden, looking outward with a bright, determined smile — as if he has just decided to find somewhere new. The garden around him is bare and quiet, emphasizing that he is alone with no other spikey plants in sight. The background is plain white, suggesting open space and possibility ahead.

Pinchín se queda solo en el jardín vacío. Ni árboles. Ni arbustos. Nadie. Quizá todos tienen razón. Quizá un cactus no puede tener amigos. Quizá él es demasiado... Pinchín se detiene. Se mira las espinas. Luego mira el camino que hay más allá del jardín. —Un momento —dice bajito—. Yo busco un amigo que no sea espinoso. ¿Y si lo que necesito es alguien que sí lo sea?

Página 11
On the right side of the image, Spike stands in his terracotta pot on sandy, dry terrain just beyond a road, looking curiously at Thorn bush with a happy, excited expression. A dashed line traces Spike's path from the road across to his current position. Thorn bush sits beside Spike as a round, ball-shaped tangle of dark brown thorny vines with small spikes protruding in all directions, with two large white mismatched eyes and a small open dark mouth, looking back at Spike. The scene is set outdoors in a sandy, arid landscape with a paved road and sidewalk visible in the upper-left corner, along with a hint of greenery near the roadside.

Pinchín cruza el camino y llega a las dunas secas de arena. Y allí, sentado como una bola café y despeinada, hay un arbusto lleno de espinas de pies a cabeza. Se llama César. —Vaya —dice Pinchín—. Tú sí que eres punzante. César parpadea con los ojotes chuecos. —Tú sí que eres punzante. —Yo soy Pinchín. ¿Quieres un abrazo?

Página 12
On the left side of the image, Spike and Thorn bush walk together across sandy dunes at sunset, both with wide joyful smiles as if singing together. Spike stands upright in the center-left without his pot, smiling broadly, with a small flower blooming from the top of his head and a dotted trail of footprints behind him leading back to a clay pot left by the road in the far background. Thorn bush — a round, dark brown ball of thorny vines with mismatched white eyes and a small open mouth — bounces along beside Spike on the right. Dark mountains and a glowing sun sit on the horizon. The right side of the image is plain sandy background with warm golden sky.

Se abrazan. Y nadie dice «ay». Pinchín deja su maceta junto al camino, y los dos parten juntos por las dunas, cantando a dúo, contando historias y chocando las espinas sin un solo quejido. Y en algún momento, entre la segunda canción y la tercera historia, pasa algo que nunca ha pasado antes. A Pinchín le crece una flor, justo encima de la cabeza. Él ni se da cuenta. Está demasiado ocupado riéndose con su amigo.

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