¡Una caña para Tomi! Nivel 57

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¡Una caña para Tomi! | Libro ATAL de Minecraft nivel 57

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Página 1
On the right side of the image, Alex stands at the edge of a body of water on a sandy bank, holding a fishing rod with a determined expression. The outdoor scene features a hilly, tree-covered landscape under a clear blue sky with sunlit daytime lighting. Sticks and crafting materials are visible on the grassy ground nearby, suggesting Alex has just assembled the rod. The left side of the image is plain green background, clear for text overlay.

Ana tomó su caña nueva y sonrió: tres palos, dos cuerdas, ¡una caña perfecta! —¡Ven acá, Tomi! ¡El último al agua es un pez podrido!

Página 2
On the left side of the image, Alex and Steve stand together on a sandy riverbank overlooking water below. Alex stands holding a fishing rod, looking ready to fish, while Steve stands beside her with empty hands and a neutral, slightly uncertain expression — he has no rod or supplies. The scene is set outdoors during daytime, with sunlight streaming down through a tall hillside of earth and stone behind them, and patches of grass visible along the terrain. The right ~40% of the image is plain green background suitable for text overlay.

Tomi miró la caña de Ana y después sus manos vacías. —Yo también quiero una caña —dijo. —¡Pues haz una! —dijo Ana—. Hay palos y cuerda por todos lados, pero no te espero mucho.

Página 3
On the right side of the image, Steve stands on a bright sandy beach near the water's edge, looking down at a small scattered collection of block items on the ground — a few crafting materials including what appear to be stone, sand, and ore blocks. He has a neutral, slightly disappointed expression as he surveys the meager supplies. The scene is set outdoors on a sunny day with blue sky and clouds, with ocean water and distant tree-covered islands visible in the background. The left side of the image is plain green background, clear for text overlay.

Tomi corrió a la playa por palos y cuerda. Quería armar su caña antes que Ana pescara un pez. Pero el montón estaba casi vacío: solo piedras y mineral. ¡Ni un palo! —¿A dónde se fue todo? —dijo Tomi.

Página 4
On the left side of the image, Steve stands on a sandy beach near the water's edge, looking out toward the ocean with a calm, thoughtful expression. He appears to be gazing across the water where a distant tree-covered island is visible, as if contemplating whether he needs to travel far. The scene is set outdoors on a bright, sunny day with blue skies and clear water lapping at the shoreline. The right side of the image is plain green background, clear for text.

Tomi miró el agua. Allá lejos había una isla con árboles, y allí sí había palos. Pero quedaba muy lejos. ¡No iba a nadar todo el día por un palo!

Página 5
On the right side of the image, Steve is walking across a grassy, open area near a village, with a few small items scattered on the ground around him. He has a determined expression as he surveys the mostly empty terrain, suggesting the crafting resources have already been gathered. Behind him on the right, a Minecraft village with stone and wooden structures sits under a bright blue sky with fluffy white clouds, and green hills roll into the background. The left side of the image is plain green background reserved for text.

Después probó en el campo del pueblo, donde siempre había palos y cuerda. Pero el suelo estaba pelado. Alguien se había llevado todo, ¡alguien con una caña nueva!

Página 6
On the left side of the image, Steve stands beside a stone bin structure, leaning forward and peering inside with an eager, curious expression. Inside the bin, an old fishing rod hangs on the wall among a few other items. The scene is set outdoors on a grassy hillside with dirt and grass blocks, under a bright daytime sky. The right ~40% of the image is plain mint-green background, clear for text overlay.

Entonces Tomi vio un cajón de piedra en la ladera y se asomó sin esperar mucho. Y allí, colgada en la pared, ¡había una caña! —¡SÍ! —gritó Tomi, y dio un salto al aire.

Página 7
On the right side of the image, Steve stands outdoors in a grassy area next to a wooden and stone building, holding an old, worn fishing rod in his hand with a determined but slightly concerned expression. The rod looks weathered and fragile. The scene is set during daytime under a partly cloudy sky, with a wooden fence and rolling green hillside visible in the background. The left side of the image is plain green background reserved for text.

Tomi levantó la caña a la luz: la cuerda deshilachada, el palo rajado. Un tirón de pez y todo se rompería. —Mejor que nada —suspiró. La metió bajo el brazo y siguió buscando: aquí tenía que haber más palos.

Página 8
On the left side of the image, Steve stands in a wide, open grassy field dotted with red flowers and tall grass, looking slightly downward with a disappointed, searching expression as he wanders through the landscape. The outdoor scene is set under an overcast, cloudy sky, conveying a sense of unsuccessful searching. The right ~40% of the image is plain green background, clear for text overlay.

Buscó en los campos, en la hierba alta, hasta en las flores; pero nada de nada. Las nubes llegaron y a Tomi le rugió el estómago: la caña vieja era ya su única opción.

Página 9
On the right side of the image, Steve stands at the edge of a large rectangular hole dug into blocky, Minecraft-style dirt and earth, looking down into it with a wary, cautious expression. A broken fishing rod is visible sticking up from the bottom of the hole. Green grass borders the top edges of the pit. The left side is plain mint-green background suitable for text overlay.

Entonces vio algo en un hoyo. ¡Otra caña! Tomi saltó a tomarla, pero estaba peor que la primera: rajada por la mitad y apenas se sostenía. —¡Ay, no! —gimió Tomi—. Dos cañas, y ninguna sirve.

Página 10
On the left side of the image, Steve is walking forward across a grassy field, holding a fishing rod in each hand at his sides, with a tired but determined expression. The scene is set outdoors during sunset, with warm golden light on the horizon and soft clouds in the sky, suggesting it will be night before long. Red flowers dot the green landscape behind him. The right ~40% of the image is plain mint-green background, clear for text overlay.

El sol se iba y Tomi regresó a casa con una caña rota en cada mano. Dos cañas podridas, cero peces, un día larguísimo: ¡Ana se iba a reír mucho!

Página 11
On the right side of the image, Alex stands indoors at a crafting table, leaning forward with an excited, bright-eyed expression as she works on crafting. Two old fishing rods sit on the table in front of her. The scene is set inside a wooden house with a plank ceiling, windows showing greenery outside, a bookshelf against the wall, and a blue floor. A furnace sits nearby below the crafting table. The left ~40% of the image is plain mint-green background for text overlay.

Pero cuando Ana vio las cañas, no se rió: abrió los ojos como platos. —¡Tomi! ¡Dámelas! —se las arrebató y corrió a su mesa. Sus dedos volaban: —Este trozo sirve, ¡y este también! ¡Va a funcionar!

Página 12
On the left side of the image, Alex stands inside a wooden cabin, holding a brand-new fishing rod in her hand with a proud, satisfied expression. The indoor scene features a cozy room with wooden plank walls and ceiling, bookshelves filled with colorful books along the back wall, windows looking out to a gray sky, and a crafting table or furnace to her left. The floor is a vibrant blue pattern. The right ~40% of the image is plain green background reserved for text.

Ana giró con una caña nueva, hecha de las mejores piezas de las dos viejas, y se la lanzó a Tomi. —Toma. Ahora estamos a mano. —¿A mano? Llevo todo el día entrenando —sonrió Tomi—. No tienes oportunidad. Ana fue a la puerta con su caña: —¡El pez más grande gana! Listos… ¡YA!

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