¿Un pingüino o una cigüeña? Nivel 82

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¿Un pingüino o una cigüeña? | Libro ATAL de vida cotidiana nivel 82

Palabras de Práctica

Repaso de diéresis (güe, güi): refuerzo en contexto de escritura expositiva.

cigüeña pingüino
Página 1
On the right side of the image, Paul stands holding a large art book or sketchpad upright in front of him, gripping it with one hand. He has dark brown skin, short curly black hair, and large round eyes with prominent white sclera and black pupils. He wears a bright orange short-sleeved t-shirt, teal-blue jeans, and gray sneakers with white soles. He has a content, gentle smile and looks directly at the viewer with wide, eager eyes. The scene is set indoors against a simple background with a warm cream-colored wall and an olive-green floor, leaving the left side clear and open.

Daniel tiene un talento secreto. Bueno, no tan secreto. Todo el mundo sabe que Daniel dibuja muy bien. Llena cuaderno tras cuaderno, y su mamá siempre le compra uno nuevo. Pero Daniel no solo dibuja. También juega un juego. —¡Adivina qué dibujé! —dice siempre.

Página 2
On the left side of the image, Paul's dark brown-skinned hand and arm reach up from the bottom-left corner, the edge of his bright orange t-shirt sleeve visible, gripping a yellow pencil. He is in the process of drawing three shapes on a teal-green background — a large circle with two smaller circles above it, forming an ambiguous figure that could become many things. The composition is a close-up of the drawing action, with the plain teal background open on the right side.

Hoy Daniel toma su lápiz y sonríe de oreja a oreja. —¿Listo? Solo lo voy a dibujar una vez. Empieza con un círculo grande. Después, dos círculos más pequeños arriba.

Página 3
On a plain pink background, two large cartoon eyes with black outlines and dark pupils are positioned on the right-center of the image, staring outward with a wide, curious expression — as if they are the beginning of a drawing that Paul has just started sketching. The eyes look slightly surprised or bewildered, matching the page text's question about what has been drawn. The left side of the image is empty pink background.

Dos ojos enormes parpadean desde la hoja. Redondos y sorprendidos. —¿Es un pingüino? —puedes decir—. ¿O tal vez una cigüeña? Daniel niega con la cabeza, despacio.

Página 4
On the left side of the image, Paul's dark brown-skinned hand is shown in close-up, the edge of his bright orange t-shirt sleeve visible, gripping a yellow pencil and carefully filling in a large dark circle with neat, dense pencil strokes. His hand is steady and deliberate, with fingers wrapped firmly around the pencil as he colors within the lines. The background is a plain, light cream color, with the right side of the image left empty. The composition is a tight focus on just Paul's hand and the circle he is shading, emphasizing his concentration and precision.

Daniel se acerca mucho a la hoja. Su lápiz hace trazos pequeños y cuidadosos. Rellena el círculo grande hasta dejarlo bien negro. No se apura. No tiembla. Se queda justo dentro de las líneas. —Esta parte tiene que quedar perfecta —susurra—. Si no, todo el dibujo se ve chistoso.

Página 5
On the right side of the image, Paul's dark brown-skinned hand reaches up holding a yellow pencil, the edge of his bright orange t-shirt sleeve visible, drawing a large rectangle on a bright orange background. Next to the rectangle, a circle is partially visible in the upper-right corner — these are the shapes he has been drawing. The composition is a close-up of Paul's arm and hand in the act of sketching, conveying focused, deliberate creativity.

Después, Daniel dibuja una forma que parece una caja. Una caja común, de lo más normal. ¿Una caja? ¿Con ojos? ¿Qué animal tiene una caja de cuerpo? —¡Un robot! —puedes gritar.

Página 6
On the left side of the image, a large rectangular drawing is shown against a teal/green background — it depicts a simple shape with four legs and feet drawn beneath it, representing the 'living thing' Paul has been sketching. Paul's dark brown-skinned hand reaches up from the bottom center-left, the edge of his bright orange t-shirt sleeve visible, holding a yellow pencil, actively adding details to the drawing. The right side of the image is plain teal background. The composition suggests a close-up of Paul's artwork in progress, with only his drawing hand visible as he concentrates on making the legs symmetrical.

Cuatro patas aparecen debajo de la caja. Una, dos, tres, cuatro, cada una con su pie en la punta. —¿Está vivo? —puedes preguntar con la boca abierta. Daniel asiente, orgulloso.

Página 7
On the right side of the image, a large black circle sits against a solid pink background, with a bold curved smile line extending below it — forming the cat-like grinning face that Paul has been drawing. Paul's dark brown-skinned hand reaches up from the bottom-right, the edge of his bright orange t-shirt sleeve visible, holding a yellow pencil and actively adding the curved smile line. In the lower-right corner, the edge of an open laptop screen is partially visible, showing a reference photo Paul has been studying. The left side of the image is plain pink background.

Daniel mira una foto en su computadora y vuelve a su dibujo. Debajo del círculo negro, agrega una sonrisa amplia y curva. Esa sonrisa. Esa sonrisa traviesa, demasiado grande. —¡Un gato! —puedes gritar—. ¡Seguro que es un gato!

Página 8
On the left side of the image, Paul is standing and holding up a yellow pencil in his right hand, smiling with a cheerful, eager expression as if ready to add something to his drawing. He has dark brown skin, short curly black hair, and large round eyes with prominent white sclera and black pupils. He wears a bright orange short-sleeved t-shirt, teal-blue jeans, and gray sneakers with white soles. The background is a plain, warm cream color, leaving the right side of the image open for text.

Daniel levanta su lápiz como una varita mágica. Le brillan los ojos. —Una cosa más —anuncia—. Solo una cosita chiquita. Y entonces vas a saber exactamente lo que es. Está disfrutando demasiado.

Página 9
On the right side of the image, a child's hand-drawn sketch of a cute dog stands facing the right of the page, rendered in a simple, charming style with a boxy rectangular body, stick-like legs, a curly tail, round floppy ears, wide happy eyes, a big black nose, and a smiling mouth. Short ink lines along its belly and muzzle suggest soft fur. The drawing sits against a bright orange background, with the left side of the image left as plain open space.

Una cola. Apunta hacia arriba como una antena. No es una cola peluda de zorro. Ni una cola enroscada de cerdo. Esta cola es de las que se menean tan fuerte que todo el cuerpo se sacude. Un momento. ¿Se menea? Solo un perro menea la cola cuando está contento…

Página 10
On the left-center of the image, a child's hand-drawn sketch of a cute dog stands facing the viewer, rendered in a simple, charming style with a boxy rectangular body, stick-like legs, a curly tail, round floppy ears, wide happy eyes, a big black nose, and a smiling mouth. Short ink lines along its belly and muzzle suggest soft fur. The drawing sits against a bright orange background, with the right side of the image left as plain open space.

—¡Es un perro! —grita Daniel, antes de que tú puedas decirlo. No puede esperar. Está demasiado emocionado. Y qué perro. Ojos grandes y bobos. Una nariz negra enorme. Una sonrisa que dice: me acabo de comer tu sándwich y no me arrepiento de nada.

Página 11
On the right side of the image, a step-by-step drawing tutorial shows how to draw a simple cartoon dog using basic shapes. The five sequential steps progress from a plain oval at the top, gradually adding ears, eyes, a nose, a rectangular body with a curly tail, and finally four legs with spotted markings — resulting in a cheerful, smiling dog standing and facing the viewer at the bottom. The left side of the image is plain warm beige background, left open for text. The style is simple black line art on a soft cream background, inviting children to follow along and draw their own.

—Ahora te toca a ti —dice Daniel, y desliza su lápiz por la mesa. Empieza con formas simples. Círculos, cajas, nada complicado. Sigue los pasos y mira lo que pasa. A lo mejor te sorprendes. ¿Y cuando termines? Levanta tu dibujo y di las palabras mágicas: —¡Adivina qué dibujé!

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