¿Rizo o lacio? Nivel 60

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¿Rizo o lacio? | Libro ATAL de vida cotidiana nivel 60

Palabras de Práctica

Reglas ortográficas de b vs v: criterios para elegir b o v al escribir.

bello bola bueno caballo doblar
Página 1
Girl is shown upside down on the right side of the image, hanging from the top edge with her legs hooked over it. Her voluminous curly hair cascades downward due to gravity, forming a large, dense mass of bouncy spring-like curls that fills much of the right portion of the frame. One hand holds a single curl stretched out, about to release it. She has a calm, content expression with half-lidded eyes, as if enjoying the springy bounce of her curls. The background is a warm, flat golden-tan color with no other objects or setting details.

Mara tenía una regla grande: el pelo con rizo era mejor que el pelo lacio. Se colgó de cabeza y soltó un rizo. ¡Pum! —¿Ves? —dijo—. El pelo lacio no hace eso.

Página 2
On the left side of the image, a girl is lying on the ground (seen from above), smiling gently, with her straight golden hair splayed out dramatically in all directions around her head like a starburst against a warm golden background. She wears glasses and has a calm, contented expression. The right side of the image is plain golden background.

Su hermana estaba en el suelo. Su pelo lacio iba por todos lados, como un sol. —Mi pelo se queda donde lo pongo —dijo. —Qué aburrido —dijo Mara. Pero pensó que sí era un poco bello.

Página 3
On the right side of the image, the Girl stands smiling with one hand reaching down to scratch the Cat behind the ears, while the Cat sits upright in the center-right with its curled tail visible, eyes half-closed contentedly. To the left, a monkey hangs upside down from above with its tail curled tight, waving one hand playfully. A chameleon sits nearby with a perfect spiral-curled tail, looking on with a cheerful expression. The scene is set against a plain warm golden-tan background.

Mara salió con su gato. Vio un mono con cola de rizo y un camaleón con cola de rizo. —¡Equipo rizo! —dijo Mara—. Hasta ellos lo saben. El gato hizo rrr. Eso era un sí.

Página 4
In the lower half of the image, Girl is visible on the far left, grinning as she looks toward a row of animals beside her. To her right stand a horse, a cow, and a lion, all facing forward with their straight tails visible — the horse's tail is long and flowing with a mane of hair at the bottom, the cow's tail is thin with a tassel at the tip, and the lion's tail is straight with a golden tuft at the end. The background is a plain warm golden-yellow, with the top half empty.

Luego vio un caballo, una vaca y un león. Las colas eran lacias. —Hola, señor león. Su cola es muy linda. Muy lacia. Muy... nada rizada. El león no se vio muy feliz.

Página 5
On the right side of the image, Girl is walking up a curved, winding staircase with a wooden banister, gripping the railing with her left hand. She has an awed, whispering expression with wide eyes, as if imagining herself in a fairy tale. She is mid-step, one foot raised to the next stair. The staircase spirals elegantly upward to the right with vertical balusters visible along the railing. The left side of the image is plain warm-toned background, leaving space for text.

Mara halló una escalera que iba en rizo. Subía y subía. —¡Hasta la escalera puede ser rizada! —dijo bajito. Una escalera recta no puede ser tan buena. Abajo, su hermana tal vez iba por otro lado.

Página 6
On the left side of the image, Girl sits cross-legged on the ground with her chin resting on both hands, looking slightly upward with a curious, wondering expression. Cat lies curled up beside her like a fuzzy blanket with its tail raised in a curly spiral, gazing up at Girl with half-lidded eyes. The background is a plain warm golden-tan color with no additional setting details, leaving the right side entirely open.

Mara se sentó. El gato se hizo una bola a su lado, con la cola en rizo. —¿Qué más es rizado? ¿Y qué es lacio? ¿Lo rizado siempre es mejor? Mara lo pensó. —Sí. Claro que sí.

Página 7
On the right side of the image, a framed photograph hangs on a wall, showing Girl standing proudly at the peak of a mountain with her biggest, proudest grin. She stands upright on the rocky summit with her arms raised in triumph. Below the peak, a curling path twists and winds its way up the mountainside. The photograph is set against a plain warm-toned background, with the left side of the image left as empty background.

Una foto lo probaba. Mara estaba en una montaña, feliz. El camino subía con vueltas. —Un camino recto me tiraba —dijo Mara—. El camino rizado me salvó. Caso cerrado.

Página 8
On the left side of the image, Girl is seated at a surface, leaning forward with a pencil gripped in her right hand. In front of her, a sheet of paper shows wobbly, tangled attempts at straight lines. She has a determined expression with a slight frown of concentration, as if telling herself to keep practicing. The background is a plain warm tan/gold color with no additional scene elements, leaving the right side open.

Mara tomó un lápiz e intentó hacer líneas rectas. Una salió mal. Otra salió peor. La tercera se quiso doblar y fue un signo de pregunta. —Está bien —dijo Mara—. Lo recto es difícil porque no es tan bueno.

Página 9
On the right side of the image, Girl is shown seated, smiling gently with a calm, content expression, pencil in hand as she draws. To her left, flowing curvy lines loop and swirl across the page — resembling vines, waves, and underground burrows. The background is a warm, solid tan/golden color, with the left portion kept clear for text overlay.

Pero las líneas curvas salían solas. Daban vueltas por la hoja como olas y túneles. —¿Ves? —dijo Mara—. A una niña de pelo rizado le salen líneas rizadas. Es ciencia. No era ciencia. Pero era bello.

Página 10
On the left side of the image, Girl stands between two giant spiral pastries, each curled in a perfect golden coil, laughing with her mouth open. The Cat peeks out from behind one of the pastries, with just its head and pointed ears visible, pale yellow-green eyes gleaming mischievously. The scene is set against a warm golden-tan background, with the right side left as plain background for text overlay.

Mara vio dos panes dulces en rizo. Eran tan grandes que uno podía ser sombrero. —¡Comida rizada! ¡La mejor! El gato salió detrás de un pan. —¡Bandido! —rio Mara—. Eso es para comer, no para esconderse.

Página 11
On the right side of the image, Girl is leaning forward with her chin resting on one hand, gazing toward three spiral-shaped buns on the center-left. She has a thoughtful, contemplative expression with furrowed brows, as if carefully considering which bun to choose. The three curly buns sit on a counter, each with a tight spiral pattern. The scene is set against a warm golden-tan background.

En la mesa había tres panes en rizo. Mara los miró muy, muy bien. Tal vez uno era el más rizado. —No quiero elegir mal —dijo. Elegir el mejor rizo era un trabajo serio.

Página 12
On the left side of the image, Girl stands behind an open cupboard, grinning broadly as she looks at an assortment of snack-filled jars and baskets in front of her. The shelves display a mix of curly snacks (pretzels, cheese puffs) and straight snacks (breadsticks, crackers) in various jars and baskets. The right side of the image is plain golden-tan background, left open for text.

Mara abrió la alacena. Había cosas rizadas y cosas rectas. Todas se veían buenas. Mara sonrió. —Está bien. Lo recto no es tan malo... si es comida. Voy a llamar a mis amigos. Y a mi hermana.

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