¡Las mejores barritas del mundo! Nivel 65

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¡Las mejores barritas del mundo! | Libro ATAL de vida cotidiana nivel 65

Palabras de Práctica

Sustantivos — género (masculino/femenino): terminaciones -o (masc.) y -a (fem.); excepciones.

mano mesa árbol día reina sol
Página 1
On the left side of the image, Gran stands in a lush garden beside a house, leaning forward slightly as she holds a garden hose connected to a water tank mounted on the side of the house, watering the dense green bushes and plants around her. She has a warm, focused expression. The child stands to Gran's left, smiling cheerfully with one arm raised in an excited wave or celebratory gesture. The scene is set outdoors on a bright day in a suburban backyard, with the side of a house and its tiled roof visible behind them, and thick green foliage filling the lower portion of the image. The right ~40% of the image is open, plain pale sky with no characters or detail.

La abuela tiene un plan. Es un día de sol, y riega las plantas del jardín con su manguera. —Hoy —dice la abuela— vamos a hacer las mejores barritas de coco del mundo entero. Iván, su nieto, da un salto y agita los brazos.

Página 2
In the lower half of the image, the child is jumping joyfully among lush garden plants with both arms raised high and a wide, excited grin. Gran stands to the right, smiling warmly and looking at the child with one hand raised in a gentle gesture, holding a water bottle in her other hand. They are outdoors in a sunny backyard garden surrounded by green leafy bushes and plants, with a plain pale yellow sky filling the top half of the image.

—¡Primero, las cultivamos bien! —dice la abuela. Iván brinca por el jardín con los brazos en alto, animando a las plantas. —¡Crezcan altas! ¡Crezcan enormes! ¡Den cocos del tamaño de mi cabeza!

Página 3
On the right side of the image, Gran sits on a small wooden platform attached to a rope-and-pulley lift system rigged to a large tree, holding a stick or tool, looking calm and determined as she is hoisted upward. The child stands near the center-left, gripping and turning a large wheel/winch mechanism connected to the rope, with an excited expression. The scene is set outdoors in a sunny suburban American backyard with leafy trees, green shrubs, and houses visible in the background.

La abuela tiene un elevador. Un elevador de verdad, con cuerdas, poleas y una plataforma de madera, todo amarrado al árbol más grande del patio. Se sienta en la plataforma como una reina en su trono. —Gira la rueda —le dice a Iván. Iván agarra la rueda y le da vueltas con todas sus fuerzas. La rueda cruje. Iván gruñe. La abuela sube, sube y sube hasta las ramas. —¿Esta es la parte difícil? —pregunta Iván. La abuela solo se ríe.

Página 4
On the left side of the image, Gran is perched partway up a tree, on a small wooden platform attached to a rope-and-pulley lift system, smiling cheerfully as she sends green fruit sliding down a long wooden plank that angles from the tree trunk toward the ground. Several fruit are tumbling down the slide mid-air, landing into a large woven basket waiting at the bottom. The child stands on the ground near the basket, looking up at Gran with an eager, excited expression, ready to help collect the fruit. The scene is set outdoors in a sunny backyard with lush green bushes and trees in the background, with the right side of the image fading to a plain warm-toned background.

Desde lo alto del árbol, la abuela manda cocos por una rampa de madera. Ruedan, rebotan y caen con un pum dentro de la canasta. Uno. Dos. Tres. Cuatro. ¡Cinco! —¡Esos son todos! —dice la abuela, sonriendo entre las hojas. Iván mira el montón de cocos gordos.

Página 5
On the right side of the image, Gran stands leaning forward with a determined expression, gripping a large coconut husk and using a tool to cut through it. The child stands nearby on the far right, smiling and reaching forward eagerly to help or receive the coconut. They are positioned on a low stone ledge or step outside the front of a suburban American home, with a blue-shuttered window visible behind them. A small pile of coconuts sits on the ledge between them. The scene is set outdoors in warm daylight.

La cáscara del coco es gruesa, dura y para nada fácil de sacar. La abuela agarra su machete y se pone a trabajar. Iván toma un pedazo y jala. Y jala. Y jala. Nada. —Este coco —dice Iván, apretando los dientes— no quiere ser una barrita. —Mala suerte para el coco —dice la abuela.

Página 6
On the left side of the image, the child stands with a tired, slightly reluctant expression, hands clasped together in front, looking off to the side as if wanting to slip away to play. Nearby, Gran stands with a firm but warm expression, one hand on her hip and the other hand raised in a beckoning gesture, calling the child back to work. The scene is set against a plain, soft yellow background.

Iván intenta escaparse. Solo por un descansito chiquito. Solo para sentarse un minutito a la sombra. —¿Y a dónde crees que vas? Iván se queda congelado. La abuela está parada con una mano en la cadera. —No hemos terminado —dice. Iván suelta un suspiro enorme. Pero la abuela tiene razón. Siempre tiene razón.

Página 7
On the right side of the image, Gran stands with a determined, confident expression, raising a large blade high above her head with one hand while holding a cracked coconut in the other, coconut water splashing outward. The child kneels beside her on the ground, looking up with wide-eyed excitement, arms extended holding a bowl to catch the coconut water as it streams down. The scene is set against a plain, muted green-yellow background with a soft circular wash behind the characters, keeping the left side clear.

La abuela levanta el machete bien alto sobre la cabeza. —¿Listo? —pregunta. Iván extiende el tazón. ¡Crac! El coco se parte limpio en dos y el agua sale disparada por todas partes. Iván se lanza, se estira y atrapa hasta la última gota. —¡Lo tengo! —grita—. ¡Ni una gota, ni una gotita, ni una fuga!

Página 8
On the left side of the image, the child stands at a kitchen counter with a determined, straining expression — teeth gritted and brows furrowed — using a red hand-cranked tool to scrape out the flesh of a large brown coconut. Gran is partially visible at the far left edge, smiling warmly as she works at the counter beside the child. The scene is set indoors in a home kitchen, with pots steaming on a stove in the background and a bowl of scraped coconut flesh on the counter. The right ~40% of the image is plain background.

Ahora hay que sacarle la pulpa a la cáscara. La abuela le pasa a Iván una herramienta roja de manivela. Iván le da vueltas con fuerza. No pasa nada. Le da vueltas más fuerte. Le tiemblan los brazos. Le duelen los dientes de tanto apretarlos. —¿Esta es la parte difícil? —gruñe. —No paras de preguntar eso —sonríe la abuela, y le da una palmadita en el hombro—. Lo peor ya está atrás.

Página 9
In the lower-left portion of the image, Gran stands at a kitchen stove, smiling warmly as she pours grated coconut from a small pan into a large mixing bowl, with steam rising from the bowl. The child stands beside her to the right, eyes closed and smiling contentedly, hands raised as if savoring the aroma. The scene is set in a cozy indoor kitchen with a gas stovetop, a jar on the counter, and a plain warm-yellow background filling the top half of the image.

La abuela echa el coco en un tazón grande sobre la estufa. Revuelve y revuelve y no para de revolver. Entonces pasa algo asombroso: el olor más dulce, más cálido y más delicioso llena toda la cocina. Se enrosca en la nariz de Iván y le envuelve el cerebro. Iván cierra los ojos y respira hondo. —Abuela. ¡Abuela! ¿Eso es lo que creo que es? —Eso —dice la abuela— es a lo que huele todo ese trabajo duro.

Página 10
On the right side of the image, Gran stands at a small table, smiling warmly as she tips a bowl of shredded coconut into a rectangular baking tin. The child sits beside her at the table, resting their chin on their hands with an eager, excited expression, watching Gran work. The table holds a glass jar and other baking supplies. The scene is set indoors in a cozy kitchen with a plain wall behind them, giving a warm, domestic feel.

La abuela vacía el coco en el molde y lo alisa con una cuchara. —Que empiece el horneado —anuncia. Iván se sienta a la mesa con la barbilla apoyada en las manos y mira entrar cada pedacito. No se va a perder esto. No después de tanto darle a la manivela, partir, jalar y resoplar. —Abuela —susurra—. ¿Ya casi terminamos? La abuela le guiña un ojo. —Casi.

Página 11
In the lower-left portion of the image, Gran and the child sit at a kitchen table covered with a lace-edged cloth. Gran is seated on the left, smiling and leaning forward with both hands on a tray filled with coconut chunks. The child sits across from her on the right, smiling contentedly while placing a lid onto a glass jar filled with coconut pieces. A plate of coconut chunks also sits on the table between them. The top half of the image is plain pale yellow background.

Del horno salen trozos dorados de barrita de coco, crujientes, calientes y perfectos. —Ahora —dice la abuela, deslizando la bandeja por la mesa—, llena esos frascos hasta el borde. Iván los acomoda bien apretados, pedazo por pedazo, y presiona las tapas con firmeza. Un frasco. Dos frascos. Tres frascos. —Abuela —dice Iván—. ¿Ahora sí terminamos? La abuela se acerca y sonríe. —Terminamos.

Página 12
On the left side of the image, Gran stands smiling warmly, holding a plate of freshly made treats. Beside her, the child stands with one arm raised triumphantly, holding up a treat with a wide, excited open-mouthed grin. The scene is set indoors against a plain, light background, with a soft shadow beneath both characters. The right side of the image is plain cream-colored background with no detail.

Iván agarra un pedazo del plato y lo levanta bien alto. —¡Lo logré! —grita, y le da una buena mordida. Está crujiente. Está dulce. Es lo más rico que ha probado en toda su vida. La abuela también toma un pedazo. Los dos se quedan ahí, masticando, sonriendo, sin decir nada. Tanto trabajo duro. Vale totalmente la pena.

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