Darío, el generoso Nivel 70

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Darío, el generoso | Libro ATAL de vida cotidiana nivel 70

Palabras de Práctica

Sufijos: -ción, -mente, -oso/-osa — uso de sufijos para formar sustantivos, adverbios y adjetivos.

rápidamente claramente completamente generoso
Página 1
On the right side of the image, Brother stands leaning forward with an angry, frustrated expression, gripping a purple stuffed toy animal and pulling it away. Boy is on the far right, sitting/kneeling on the floor with an equally angry, upset expression, mouth open yelling, reaching up and holding onto the same purple toy — the two are locked in a tug-of-war over it. The scene is set indoors in a living room, with a wooden desk/table, a chair, and a window with a blue curtain visible behind them. The left side of the image is plain background.

—¡Es mío! —grita Darío, y jala el peluche morado con las dos manos. Su hermano Mario jala más fuerte. El juguete se estira entre los dos. A Mario se le pone la cara roja. A Darío se le ponen los nudillos blancos. Ninguno lo suelta. —Yo. Lo. Tenía. Primero —dice Darío con los dientes apretados. Pero Mario jala con más fuerza todavía.

Página 2
On the left side of the image, Mum stands in the center with a stern, frustrated expression, pointing firmly as she scolds the two boys. Boy stands to her left, rubbing his eye with one hand and looking upset, while Brother stands in front of Mum to the right, head down with a sulky, unhappy expression. A stuffed toy and broken pieces lie on the floor between them. The scene is set indoors in a living room, with a table and a pitcher visible in the background. The right ~40% of the image is plain background.

¡Pum! Los platos caen al piso y se rompen en pedazos. Mamá entra con los brazos cruzados. Eso, claramente, nunca es buena señal. Los señala a los dos. —A la cama. Ahora.

Página 3
On the right side of the image, Boy sits barefoot on the ground with a wistful, slightly sad expression, looking off to the side. A small toy tractor sits on the ground beside him — his one prized possession. Above him is a thought bubble showing Boy sitting alone happily with a toy, representing his wish to have something just for himself. The scene is set against a plain white background.

Darío es generoso con Mario. Comparte su comida. Le arregla los juguetes que se le rompen. Da y da y da. Pero a veces, solo a veces, desea tener una sola cosa que sea nada más suya. Mira su pequeño tractor, ahí en la tierra, a su lado. Un tractorcito. Es lo único que Mario no le agarra, no le quita y no le aplasta.

Página 4
On the left side of the image, Boy sits astride Elephant's back, leaning forward with a happy, excited expression as he holds on. Elephant is walking through a grassy suburban yard, mid-stride with its trunk raised slightly and one front leg lifted. The scene is set outdoors on a bright, sunny day with a blue sky, green grass, and soft rolling hills in the background. The right portion of the image is open sky and distant landscape, clear of characters or detail.

Entonces Darío ve algo en el patio que le hace olvidar completamente los tractores. Un elefante. Un elefante de verdad, enorme, parado detrás de los arbustos. Darío pasa despacito junto a Mamá, cruza el pasto sin hacer ruido y trepa hasta su lomo. El elefante levanta la trompa, da un paso gigante y allá se van.

Página 5
On the right side of the image, Brother crouches low on the ground beneath a large tree, facing toward the viewer at a three-quarter angle with a quiet, absorbed posture as if playing a game by himself — but something about the scene feels uneasy. A wide, open grassy plain stretches across the scene under a clear blue sky, with scattered trees visible in the far background. A small group of elephants is visible in the distant background on the right side of the plain. The left side of the image is open plain with no characters or detail.

Cabalgan por una llanura amplia y hermosa, donde el cielo parece no terminar nunca. Darío siente el viento tibio en la cara y sonríe. Sin hermanos. Sin peleas. Sin compartir. Solo él y el mundo entero. A lo lejos camina una manada de elefantes. Entonces Darío ve algo bajo un árbol grande. Alguien pequeño, agachado entre el pasto. La sonrisa de Darío desaparece. —¿Mario? —susurra.

Página 6
On the left side of the image, Brother is sprinting desperately with his arms outstretched, his body leaning forward in full flight, with a scared expression as he glances back. Just behind him, Mad Elephant charges aggressively with its trunk extended and head lowered, motion lines trailing behind it to convey speed. The scene is set outdoors in a park-like open area with a single tree on the far left and green grass underfoot, bathed in warm daylight with a soft yellow-toned background. The right side of the image is plain white background.

Un elefante se aparta de la manada y corre directo hacia Mario. Sus patas hacen temblar la tierra. Mario huye rápidamente. Mueve los brazos y vuela sobre el pasto, pero el elefante furioso es más rápido. Mucho más rápido. Rompe los arbustos justo detrás de él. —¡Corre! —grita Darío.

Página 7
On the right side of the image, Brother is perched high up in a large leafy tree, sitting on a thick branch with both hands gripping the wood for balance. He has a worried, fearful expression on his face as he looks out cautiously. The tree's green canopy of leaves fills the upper-right corner, with branches extending across the top of the scene. The left side and lower portion of the image is open white background, providing space for text.

Mario llega al árbol y empieza a trepar. Agarra rama tras rama y se impulsa hacia arriba, bien alto, entre las hojas. Aprieta la madera tan fuerte que le tiemblan los brazos. A salvo. Por ahora. Darío lo mira desde lejos, con el corazón a mil. Ya no quiere estar solo. Ahora lo único que desea en todo el mundo es que su hermano esté bien.

Página 8
On the left side of the image, Boy rides on top of Elephant, who is charging forward at full speed with motion lines trailing behind them. Boy is leaning forward with a determined expression, one arm stretched out ahead pointing the way. Elephant has a focused, wide-eyed look as it gallops with its legs in mid-stride and trunk curled slightly upward. The background is plain white, leaving the right side of the image open for text.

—¡Vamos! —Darío da una patadita con los talones—. ¡Más rápido! Su elefante estira las patas y galopa a toda velocidad. El viento le ruge en los oídos. Darío se inclina hacia adelante y señala el camino con el brazo. El árbol está cada vez más cerca. Ya casi. —¡Agárrate, Mario! —grita—. ¡Ya voy!

Página 9
On the right side of the image, Mad Elephant stands on a grassy patch beneath a large tree, trunk wrapped around a low branch and pulling downward with a determined expression. Brother sits up in the tree on a branch above, looking down at Mad Elephant with a nervous, wide-eyed expression, gripping the branch tightly. The scene is set outdoors in a park-like setting on a bright, sunny day with lush green foliage surrounding the tree.

Demasiado tarde. El elefante furioso enrosca la trompa en una rama y jala. La madera cruje. Se dobla. Se quiebra. Mario abre mucho los ojos. Se agarra más fuerte, pero ahora todo el árbol se sacude. —¡Para! —grita Darío. El elefante jala con más fuerza. ¿Cuánto más aguanta esa rama?

Página 10
On the left side of the image, a large leafy tree dominates the scene. Boy is perched on a lower branch, leaning forward with one arm stretched out toward Brother, his expression determined and concerned. Brother sits higher up on an upper branch, looking down toward Boy and reaching back with one hand, appearing slightly worried. The outdoor setting is bright and daytime, with lush green foliage surrounding both characters. The right ~40% of the image is plain white background.

Darío salta de su elefante y cae sobre una rama baja. Trepa rápidamente y estira el brazo todo lo que puede. —¡Agárrate de mi mano! Mario baja la mano. Sus dedos se rozan. Tan cerca. Darío se estira hasta que le arde el hombro.

Página 11
On the right side of the image, Mad Elephant's trunk is coiled tightly around Boy's midsection, lifting him into the air. Boy hangs with his legs kicking and his arms reaching out desperately, his face showing a wide-eyed, scared expression as he calls out. Mad Elephant is partially visible at the far right edge, with its large ear and trunk dominating that side. The background is plain white, leaving the left side completely open for text.

La trompa se enrosca en la cintura de Darío y lo arranca del árbol. Sus piernas patean el aire. Sus brazos buscan a su hermano. —¡Agárrate! —grita Darío. Pero esta vez no le habla a Mario. Se lo dice a sí mismo. Porque, aun colgando de la trompa de un elefante furioso, Darío solo piensa en una cosa: por favor, que mi hermano esté a salvo.

Página 12
On the left side of the image, Boy is sitting up in a wooden bed with a startled, wide-eyed expression, propping himself up on one arm as if just woken from a dream, with a pink blanket and blue pillow around him. Mum sits on the edge of the bed beside him, gently placing her hand on his head with a warm, caring expression. Brother stands next to Mum at the bedside, looking up at Boy with soft, calm eyes while Mum holds him close with her other arm. The scene is set indoors in a bedroom, with a pair of flip-flops on the floor beside the bed. The right side of the image is plain white background.

—¡Darío! ¡Despierta! —Mamá está sentada al borde de su cama y le pone la mano tibia en la cabeza—. Estás gritando dormido. Darío parpadea. Su cuarto. Su cobija. Su almohada. Un sueño. Todo es un sueño, solo una pesadilla. Mario está junto a la cama y lo mira con ojitos suaves y preocupados. Darío le agarra la mano y la aprieta fuerte. —Mañana puedes jugar con mi tractor —le susurra. Mario sonríe. Y por una vez, ninguno de los dos se suelta.

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