¡Aquí voy, Alejandra! Nivel 58

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¡Aquí voy, Alejandra! | Libro ATAL de Minecraft nivel 58

Palabras de Práctica

Combinaciones mb y nv: siempre mb (nunca mv) y siempre nv (nunca nb).

también sombra ambiente ambos cambio envidia invento temblar
Página 1
On the right side of the image, Steve stands beneath a large tree in an open plains biome during golden-hour lighting, with a warm sunset glow painting the sky in golds and oranges behind him. He has a determined expression, standing upright and looking outward as if searching for someone. The left side of the image is clear plain background. The scene is outdoors with rolling grassy terrain and scattered trees visible in the distance.

—¡Lista o no, aquí voy! Esteban está bajo la sombra de un árbol grande. Mira el campo con cara muy seria. Es el mejor buscador del mundo, o eso dice él. Alejandra está escondida en algún lugar. Esteban la va a encontrar muy rápido.

Página 2
On the left side of the image, Alex is running at full speed through open fields, dashing past a large tree with a leafy canopy overhead. Tall crops and wildflowers blur past her as she sprints, her orange hair and green tunic clearly visible against the golden landscape. She has an excited, mischievous expression as she searches for a hiding spot. In the background, a suburban neighborhood with houses and fences is visible far off in the distance. The scene is set in warm golden-hour lighting matching the sunset from the previous page. The right side of the image is open sky and plain background, clear for text overlay.

Alejandra corre veloz por el campo abierto. Pasa junto a las flores, pasa junto al cultivo alto, y sonríe sin parar. Las casas quedan lejos, allá en la distancia. Aquí afuera hay mil escondites. También hay pasto alto y árboles grandes. Solo necesita el escondite perfecto.

Página 3
On the right side of the image, Steve walks with big, determined steps through a field of tall grass near a large old oak tree, scanning left and right with a focused expression. The grass sways around his legs as he strides forward mid-step, searching actively. The scene is set outdoors in warm golden-hour lighting with a wooden house sitting quietly in the distance and scattered flowers across the grassy landscape. The left side of the image is open background suitable for text overlay.

Esteban marcha por el pasto alto con pasos grandes. Mira a ambos lados, muy atento. Revisa detrás del roble viejo. Revisa junto a la casa de madera. Revisa bajo una piedra muy pequeña. —No puede esconderse de mí —murmura—. Soy el mejor buscador del mundo.

Página 4
On the left side of the image, Steve stands on a grassy hillside, his eyes wide and brows furrowed, mouth open in a startled, alert pose as if he just heard a twig snap, with small red alert lines beside his head. He wears a teal shirt and blue trousers, his fists clenched and body tensed like a hunter on the chase. Below him in the tall grass, The Dog — a small, round-bodied dog with a fluffy white coat, pink shading on its ears and curled fluffy tail, and a black nose — stands clearly visible, smiling up happily. A crumbling stone ruin peeks out from the trees behind Steve. The scene is set outdoors in warm golden-hour lighting with a lush green landscape, blocky trees, and tall grass. The right side of the image is open pale-green background for text overlay.

¡Crac! Una ramita hace crac muy cerca. Esteban se queda quieto. El pasto empieza a temblar junto a sus pies. Algo pequeño se mueve ahí abajo. —¡Ajá! —Esteban salta—. ¡Te atrapo, Ale...!

Página 5
On the left side of the image, Steve stands on the grassy field looking down at The Dog with a mix of relief and disappointment, his shoulders slightly slumped — it's not Alex. On the right side, The Dog stands facing the viewer with a happy expression and tail curled up, a small round-bodied dog with a fluffy white coat, thin black stick-like legs, and pink accents. Behind them, a farm with a wooden barn and fenced area is visible in the mid-ground, surrounded by green trees and flowers. The Dog is mid-trot, about to cheerfully head off on its own adventure. The scene is set outdoors in warm golden-hour lighting with a soft sky and gentle clouds.

Es un perro. Un perro blanco y peludo, con la cola en pleno movimiento. El perro ladra, le lame la mano y se va trotando a olfatear una flor. —Tú no eres Alejandra —dice Esteban. Él está molesto. El perro, en cambio, está muy feliz.

Página 6
On the left side of the image, Steve steps off a dirt path and heads into a patch of tall grass beneath a large tree, his eyes focused intently on the grass ahead with a curious, hopeful expression. A wooden fence lines a yard behind him. Partially hidden deep in the tall grass, a small glimpse of Brat Cat is barely visible — just a hint of black-and-white fur and bright green eyes peeking through the blades, suggesting something is lurking there. The scene is set outdoors in warm golden-hour lighting with lush green grass and scattered flowers. The right side of the image is open sky and plain background, clear for text overlay.

Esteban ve algo en el pasto alto, bajo la sombra de un árbol gigante. Dos ojos verdes y brillantes lo miran. —¡Esta vez sí te atrapo, Alejandra! —susurra Esteban. Se agacha y avanza sin ruido. Más cerca, más cerca, más cerca...

Página 7
On the right side of the image, Steve stands in a field of tall grass that reaches up to his chest, pushing through it like wading through a wave. He has a determined but slightly frustrated expression, still searching. A large leafy tree is visible behind him. In the left-center background, Brat Cat — a small black-and-white tuxedo cat — is glimpsed slipping away through the grass, its fluffy tail disappearing into the foliage as it slinks off. Pink clouds drift across the quiet golden-hour sky above. The left side of the image is plain background suitable for text overlay.

Es una gata. Es Gata Malcriada, blanca y negra y gruñona. Mira a Esteban un largo rato y se aleja entre el pasto, sin prisa. —¡Ay, no! —Esteban levanta las manos. El ambiente está tranquilo, con nubes rosadas en el cielo. Esteban no está tranquilo.

Página 8
On the left side of the image, a large dark mine shaft or hole opens up in the grassy field, with exposed dirt and stone walls descending steeply into darkness below — an old mine dug long ago for coal. On the right side, Steve stands at the edge of the hole looking down into it with a surprised expression. Near the edge of the hole, Chicken — a cute, round white chicken with a bright red comb, small yellow-orange beak, and large round black eyes — stands peering down into the dark depths with calm, naive eyes. The scene is set outdoors in warm golden-hour lighting with green grass surrounding the mine opening.

Entonces Esteban encuentra un hoyo. Un hoyo grande, profundo y oscuro, justo en medio del campo. Una gallina blanca está parada en el borde, muy calmada. Se asoma a la oscuridad. Esteban también se asoma. —¿Alejandra? ¿Estás ahí abajo? La gallina lo mira. La gallina no es Alejandra.

Página 9
On the right side of the image, inside the deep stone-walled hole, Steve is crouched partway down, actively building a ramp out of dirt and wooden blocks to help Chicken escape. He has a kind, focused expression as he works. Chicken stands on a stone ledge nearby, looking out with calm, naive eyes, waiting patiently to be rescued. The hole is made of dark gray stone blocks with patches of reddish-brown dirt on the walls. Warm golden-hour light filters down from the opening above. The left side of the image shows the stone wall interior, with space for text overlay.

Pero hay otra gallina atrapada ahí abajo. Está sentada en una repisa de piedra y lo mira muy tranquila. Esteban baja y construye una rampa con tierra y madera. ¡Buen invento! Ahora la gallina puede subir y salir. —Un rescate listo —dice Esteban—. Y cero Alejandras.

Página 10
On the left-center of the image, Steve is slumped on the ground among a field of colorful tulips, sitting with his elbows on his knees and his head drooping in frustration and exhaustion. His expression is annoyed and defeated — he hasn't found a single hint of Alex. Red, yellow, and white tulip blooms create a sea of color around him, but he doesn't care. The scene is set outdoors in a warm golden-hour meadow dotted with tulips, bordered by tall leafy trees under a sky with golden and pink-tinged clouds. The right side of the image is mostly open green grass and a tree trunk, providing clear space for text overlay.

Esteban se deja caer en un campo de tulipanes. Rojos. Amarillos. Blancos. Y a él no le importa ni uno. —Ya está. Ella gana. Seguro está en casa, tranquila y feliz. ¡Qué envidia! El mejor buscador del mundo encuentra un perro, una gata, dos gallinas y un hoyo. Pero ninguna Alejandra.

Página 11
On the right side of the image, Steve stands facing a large tree trunk, his eyes wide with excitement and surprise as he spots something. Partially hidden behind the tree, Alex peeks out — her leg and part of her green tunic and orange hair visible as she is caught mid-movement trying to dart away to a new hiding spot. The outdoor scene is set in a warm golden-hour garden with colorful tulips and flowers scattered across a grassy area, with lush green trees and a sky with golden and pink-tinged clouds in the background.

Entonces la ve. ¡Una pierna! Se asoma detrás del árbol grande, justo ahí, entre las flores. Esteban abre los ojos, sorprendido. También abre la boca. ¡Alejandra lleva ahí todo este tiempo!

Página 12
On the left side of the image, Steve is reaching forward and tapping Alex on the shoulder — tag! Alex is caught mid-turn with a surprised, laughing expression, her orange hair swinging and green tunic visible as she reacts to being tagged. Steve has a triumphant grin on his face. The scene is set outdoors in a warm golden-hour grassy area dotted with colorful tulips and daisies, with a large tree trunk nearby and wooden houses visible in the background. Pink-tinged clouds glow in the late-afternoon sky. The right side of the image has open space for text overlay.

Esteban avanza sin ruido. Un paso. Dos pasos. Alejandra todavía no lo ve. Entonces, rápido como un gato, estira la mano y... —¡Pum, las traes! —Le toca el hombro. Alejandra gira con la boca abierta y se ríe. Esteban también ríe. —¡Te toca a ti! Y cuidado con el hoyo.

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