¿Adivinas qué dibujé? Nivel 82

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¿Adivinas qué dibujé? | Libro ATAL de vida cotidiana nivel 82

Palabras de Práctica

Repaso de diéresis (güe, güi): refuerzo en contexto de escritura expositiva.

vergüenza
Página 1
On the right side of the image, Paul stands holding a large art book or sketchpad upright in front of him, gripping it with one hand. He has dark brown skin, short curly black hair, and large round eyes with prominent white sclera and black pupils. He wears a bright orange short-sleeved t-shirt, teal-blue jeans, and gray sneakers with white soles. He has a content, gentle smile and looks directly at the viewer with wide, eager eyes. The scene is set indoors against a simple background with a warm cream-colored wall and an olive-green floor, leaving the left side clear and open.

Pablo tenía un talento secreto. Bueno, en realidad no era tan secreto. Todo el mundo sabía que Pablo podía dibujar. Llenaba cuaderno tras cuaderno con dibujos, y su mamá siempre le compraba uno nuevo. Pero había algo especial en Pablo: él no solo dibujaba, también jugaba un juego. —¡Adivina qué dibujé! —decía siempre. Y nadie, nunca jamás, lo adivinaba.

Página 2
On the left side of the image, Paul's dark brown-skinned hand and arm reach up from the bottom-left corner, the edge of his bright orange t-shirt sleeve visible, gripping a yellow pencil. He is in the process of drawing three shapes on a teal-green background — a large circle with two smaller circles above it, forming an ambiguous figure that could become many things. The composition is a close-up of the drawing action, with the plain teal background open on the right side.

Hoy, Pablo tomó su lápiz amarillo y sonrió de oreja a oreja. —¿Listo? Solo lo voy a dibujar una vez. Empezó con un círculo grande. Después, dos círculos más pequeños encima.

Página 3
On a plain pink background, two large cartoon eyes with black outlines and dark pupils are positioned on the right-center of the image, staring outward with a wide, curious expression — as if they are the beginning of a drawing that Paul has just started sketching. The eyes look slightly surprised or bewildered, matching the page text's question about what has been drawn. The left side of the image is empty pink background.

Dos ojos enormes parpadearon desde la hoja. Eran redondos y sorprendidos, como si acabaran de ver un fantasma. —¿Es una rana? —podrías decir—. ¿O tal vez un búho? Pablo negó con la cabeza lentamente.

Página 4
On the left side of the image, Paul's dark brown-skinned hand is shown in close-up, the edge of his bright orange t-shirt sleeve visible, gripping a yellow pencil and carefully filling in a large dark circle with neat, dense pencil strokes. His hand is steady and deliberate, with fingers wrapped firmly around the pencil as he colors within the lines. The background is a plain, light cream color, with the right side of the image left empty. The composition is a tight focus on just Paul's hand and the circle he is shading, emphasizing his concentration and precision.

Pablo se acercó mucho a la hoja. Su lápiz se movía con trazos pequeños y cuidadosos, rellenando el círculo grande hasta dejarlo completamente negro. No se apuró. No tembló. Se mantuvo justo dentro de las líneas. —Esta parte tiene que quedar perfecta —susurró—. Si no, todo el dibujo se ve chistoso.

Página 5
On the right side of the image, Paul's dark brown-skinned hand reaches up holding a yellow pencil, the edge of his bright orange t-shirt sleeve visible, drawing a large rectangle on a bright orange background. Next to the rectangle, a circle is partially visible in the upper-right corner — these are the shapes he has been drawing. The composition is a close-up of Paul's arm and hand in the act of sketching, conveying focused, deliberate creativity.

Después, Pablo dibujó una forma que parecía exactamente una caja. Una caja común, aburrida, de lo más normal. ¿Una caja? ¿Con ojos? ¿Qué clase de criatura tiene una caja de cuerpo? —¡Un robot! —podrías gritar.

Página 6
On the left side of the image, a large rectangular drawing is shown against a teal/green background — it depicts a simple shape with four legs and feet drawn beneath it, representing the 'living thing' Paul has been sketching. Paul's dark brown-skinned hand reaches up from the bottom center-left, the edge of his bright orange t-shirt sleeve visible, holding a yellow pencil, actively adding details to the drawing. The right side of the image is plain teal background. The composition suggests a close-up of Paul's artwork in progress, with only his drawing hand visible as he concentrates on making the legs symmetrical.

Cuatro patas aparecieron debajo de la caja. Una, dos, tres, cuatro, cada una con patitas en la punta. —¿Está vivo? —podrías decir con la boca abierta. Pablo asintió con orgullo.

Página 7
On the right side of the image, a large black circle sits against a solid pink background, with a bold curved smile line extending below it — forming the cat-like grinning face that Paul has been drawing. Paul's dark brown-skinned hand reaches up from the bottom-right, the edge of his bright orange t-shirt sleeve visible, holding a yellow pencil and actively adding the curved smile line. In the lower-right corner, the edge of an open laptop screen is partially visible, showing a reference photo Paul has been studying. The left side of the image is plain pink background.

Pablo espió una foto en su computadora y luego volvió a su dibujo. Debajo del gran círculo negro, agregó una sonrisa amplia y curva. Esa sonrisa. Esa sonrisa traviesa, estirada, demasiado grande. —¡Un gato! —podrías gritar—. ¡Seguro que es un gato!

Página 8
On the left side of the image, Paul is standing and holding up a yellow pencil in his right hand, smiling with a cheerful, eager expression as if ready to add something to his drawing. He has dark brown skin, short curly black hair, and large round eyes with prominent white sclera and black pupils. He wears a bright orange short-sleeved t-shirt, teal-blue jeans, and gray sneakers with white soles. The background is a plain, warm cream color, leaving the right side of the image open for text.

Pablo levantó su lápiz como si fuera una varita mágica. Le brillaban los ojos. —Una cosa más —anunció—. Solo una cosita chiquita. Y entonces vas a saber exactamente lo que es. Estaba disfrutando demasiado. Le daba un poquito de vergüenza admitirlo, pero no podía parar de sonreír.

Página 9
On the right side of the image, a child's hand-drawn sketch of a cute dog stands facing the right of the page, rendered in a simple, charming style with a boxy rectangular body, stick-like legs, a curly tail, round floppy ears, wide happy eyes, a big black nose, and a smiling mouth. Short ink lines along its belly and muzzle suggest soft fur. The drawing sits against a bright orange background, with the left side of the image left as plain open space.

Una cola. Apuntando hacia arriba como una antena. No era una cola peluda de zorro. Ni una cola enroscada de cerdo. Esta cola era de esas que se menean tan fuerte que todo el cuerpo se sacude con ella. Un momento. ¿Que se menea? Solo un animal menea la cola cuando está contento…

Página 10
On the left-center of the image, a child's hand-drawn sketch of a cute dog stands facing the viewer, rendered in a simple, charming style with a boxy rectangular body, stick-like legs, a curly tail, round floppy ears, wide happy eyes, a big black nose, and a smiling mouth. Short ink lines along its belly and muzzle suggest soft fur. The drawing sits against a bright orange background, with the right side of the image left as plain open space.

—¡Es un perro! —gritó Pablo, antes de que siquiera pudieras decirlo. No pudo evitarlo. Estaba demasiado emocionado para esperar. Y qué perro. Ojos grandes y bobos. Una nariz negra enorme. Una sonrisa que decía: —Me acabo de comer tu sándwich y no me arrepiento de nada.

Página 11
On the right side of the image, a step-by-step drawing tutorial shows how to draw a simple cartoon dog using basic shapes. The five sequential steps progress from a plain oval at the top, gradually adding ears, eyes, a nose, a rectangular body with a curly tail, and finally four legs with spotted markings — resulting in a cheerful, smiling dog standing and facing the viewer at the bottom. The left side of the image is plain warm beige background, left open for text. The style is simple black line art on a soft cream background, inviting children to follow along and draw their own.

—Ahora te toca a ti —dijo Pablo, deslizando su lápiz por la mesa. Empieza con formas simples: círculos, cajas, nada complicado. Sigue los pasos y mira lo que pasa. A lo mejor te sorprendes. ¿Y cuando termines? Levanta tu dibujo y di las palabras mágicas:

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