¿Adivina qué dibujé? Nivel 54

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¿Adivina qué dibujé? | Libro ATAL de vida cotidiana nivel 54

Palabras de Práctica

Grupos consonánticos con r: br, cr, dr, fr, gr.

brazo brillo broma frase grande gritar libro
Página 1
On the right side of the image, Paul stands holding a large art book or sketchpad upright in front of him, gripping it with one hand. He has dark brown skin, short curly black hair, and large round eyes with prominent white sclera and black pupils. He wears a bright orange short-sleeved t-shirt, teal-blue jeans, and gray sneakers with white soles. He has a content, gentle smile and looks directly at the viewer with wide, eager eyes. The scene is set indoors against a simple background with a warm cream-colored wall and an olive-green floor, leaving the left side clear and open.

Pablo tenía un don secreto. Bueno, no tan secreto. Todos sabían que Pablo podía dibujar. Pablo llenaba libro tras libro. Luego decía: —¡Adivina qué dibujé! Y nadie, nadie lo sabía.

Página 2
On the left side of the image, Paul's dark brown-skinned hand and arm reach up from the bottom-left corner, the edge of his bright orange t-shirt sleeve visible, gripping a yellow pencil. He is in the process of drawing three shapes on a teal-green background — a large circle with two smaller circles above it, forming an ambiguous figure that could become many things. The composition is a close-up of the drawing action, with the plain teal background open on the right side.

Hoy Pablo tomó su lápiz y sonrió. —¿Listo? Solo una vez —dijo. Hizo una bola grande. Luego dos bolas arriba. —Aún no vas a adivinar.

Página 3
On a plain pink background, two large cartoon eyes with black outlines and dark pupils are positioned on the right-center of the image, staring outward with a wide, curious expression — as if they are the beginning of a drawing that Paul has just started sketching. The eyes look slightly surprised or bewildered, matching the page text's question about what has been drawn. The left side of the image is empty pink background.

Dos ojos grandes miraron desde la hoja. Eran ojos redondos, como ojos de susto. ¿Es una rana? ¿Es un búho? Pablo negó. —No. Mira bien.

Página 4
On the left side of the image, Paul's dark brown-skinned hand is shown in close-up, the edge of his bright orange t-shirt sleeve visible, gripping a yellow pencil and carefully filling in a large dark circle with neat, dense pencil strokes. His hand is steady and deliberate, with fingers wrapped firmly around the pencil as he colors within the lines. The background is a plain, light cream color, with the right side of the image left empty. The composition is a tight focus on just Paul's hand and the circle he is shading, emphasizing his concentration and precision.

Pablo se acercó a la hoja. Su lápiz iba lento, con trazos chicos. Llenó la bola grande con negro. —Debe quedar fino —dijo—. Si no, todo se ve bobo.

Página 5
On the right side of the image, Paul's dark brown-skinned hand reaches up holding a yellow pencil, the edge of his bright orange t-shirt sleeve visible, drawing a large rectangle on a bright orange background. Next to the rectangle, a circle is partially visible in the upper-right corner — these are the shapes he has been drawing. The composition is a close-up of Paul's arm and hand in the act of sketching, conveying focused, deliberate creativity.

Luego Pablo dibujó una caja. Una caja común. Una caja con ojos. ¿Una caja viva? ¡Qué broma! —¡Un robot! —puedes gritar.

Página 6
On the left side of the image, a large rectangular drawing is shown against a teal/green background — it depicts a simple shape with four legs and feet drawn beneath it, representing the 'living thing' Paul has been sketching. Paul's dark brown-skinned hand reaches up from the bottom center-left, the edge of his bright orange t-shirt sleeve visible, holding a yellow pencil, actively adding details to the drawing. The right side of the image is plain teal background. The composition suggests a close-up of Paul's artwork in progress, with only his drawing hand visible as he concentrates on making the legs symmetrical.

Cuatro patas salieron bajo la caja. Una, dos, tres, cuatro, cada una con patitas en la punta. —¿Está vivo? —puedes decir. Pablo dijo que sí, muy orgulloso.

Página 7
On the right side of the image, a large black circle sits against a solid pink background, with a bold curved smile line extending below it — forming the cat-like grinning face that Paul has been drawing. Paul's dark brown-skinned hand reaches up from the bottom-right, the edge of his bright orange t-shirt sleeve visible, holding a yellow pencil and actively adding the curved smile line. In the lower-right corner, the edge of an open laptop screen is partially visible, showing a reference photo Paul has been studying. The left side of the image is plain pink background.

Pablo miró una foto y volvió a su dibujo. Bajo la bola negra, hizo una sonrisa grande. Esa sonrisa era de broma. —¡Un gato! —puedes gritar.

Página 8
On the left side of the image, Paul is standing and holding up a yellow pencil in his right hand, smiling with a cheerful, eager expression as if ready to add something to his drawing. He has dark brown skin, short curly black hair, and large round eyes with prominent white sclera and black pupils. He wears a bright orange short-sleeved t-shirt, teal-blue jeans, and gray sneakers with white soles. The background is a plain, warm cream color, leaving the right side of the image open for text.

Pablo levantó el lápiz con el brazo en alto. Sus ojos tenían brillo. —Una cosa más —dijo—. Una cosita chica. Luego vas a saber. Pablo gozaba mucho.

Página 9
On the right side of the image, a child's hand-drawn sketch of a cute dog stands facing the right of the page, rendered in a simple, charming style with a boxy rectangular body, stick-like legs, a curly tail, round floppy ears, wide happy eyes, a big black nose, and a smiling mouth. Short ink lines along its belly and muzzle suggest soft fur. The drawing sits against a bright orange background, with the left side of the image left as plain open space.

Una cola salió hacia arriba. No era cola de zorro. No era cola de cerdo. Esta cola se movía con ganas. Un momento. ¿Quién mueve la cola así cuando está feliz?

Página 10
On the left-center of the image, a child's hand-drawn sketch of a cute dog stands facing the viewer, rendered in a simple, charming style with a boxy rectangular body, stick-like legs, a curly tail, round floppy ears, wide happy eyes, a big black nose, and a smiling mouth. Short ink lines along its belly and muzzle suggest soft fur. The drawing sits against a bright orange background, with the right side of the image left as plain open space.

—¡Es un perro! —dijo Pablo. No pudo esperar. Y qué perro: ojos grandes y bobos, nariz negra y sonrisa de: me comí tu sándwich. —¿Ves esas rayas? Es pelo. Mi mejor perro.

Página 11
On the right side of the image, a step-by-step drawing tutorial shows how to draw a simple cartoon dog using basic shapes. The five sequential steps progress from a plain oval at the top, gradually adding ears, eyes, a nose, a rectangular body with a curly tail, and finally four legs with spotted markings — resulting in a cheerful, smiling dog standing and facing the viewer at the bottom. The left side of the image is plain warm beige background, left open for text. The style is simple black line art on a soft cream background, inviting children to follow along and draw their own.

—Ahora te toca a ti —dijo Pablo. Te dio el lápiz. Empieza con formas simples: bolas y cajas. Sigue los pasos y mira qué pasa. Luego alza tu dibujo y di la frase: —¡Adivina qué dibujé!

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