How Did Pip's Nuts Go? Jolly Phonics · Step 3, Unit 7: /oa/ mixed

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How Did Pip's Nuts Go?

Practice Words

oak below low lower moans now own row stow town yellow fellow flowers frown frowns glow growls how owner slow stows window wow down hole holes home homes poke those
Page 1
On the right side of the image, a large brown tree trunk extends diagonally with branching limbs, dotted with several dark holes. Small houses with red-orange roofs and pale yellow walls sit along the branches, forming a tiny township. Green leaves sprout from the branch tips, and soft white clouds drift between the branches. The left side is open, warm-toned sky. No characters are visible in the scene.

High up in an old oak tree, there is a tiny town. Each home has a red roof, yellow walls, and a little dark way in. Dark holes dot the trunk, row on row. All the holes are for Pip. And Pip is hard at it, all day long.

Page 2
On the left side of the image,  Pip crouches with a determined expression beside a large tree, tucking nuts into a hole among dark rocks and large orange pumpkins. A slender tree with sparse autumn leaves stands in the background, and two small green birds flutter above. The right side of the image opens into a plain, soft cream-coloured sky with no detail.  There is only one Pip.

When the first leaf turns orange, Pip starts to collect nuts. She stows them in all the holes she sees. One nut here. Three nuts there. She crams an armful in the big hole by the pumpkins. 'Fifteen, sixteen...' she counts, and runs down the hill to get more. Winter will come soon, and Pip will not go hungry.

Page 3
On the right side of the image, Pip is crouched low on the ground with a shocked, disbelieving expression, peering at a small empty hole in the earth where her nuts were stored. The bird hops over toward Pip, appearing calm and conversational. The scene is set outdoors on a grassy area with large tree trunks and subtle foliage visible in the background, suggesting a suburban yard or park setting with soft, warm daylight.

In the morning, Pip checks her best spot. No nuts. She checks the next hole. No nuts. Not one nut in the oak, not one in the ground. 'Who took my nuts?' Pip yells. A bird hops up. 'Not me,' he says. 'I eat bugs.' Pip frowns. 'Well, some sly beast took them. And I will get him.'

Page 4
On the left side of the image, Pip clings to a tree branch near a large beehive, looking up at it with a curious expression. Several bees buzz around the hive and near Pip. The scene is set outdoors in a leafy tree with green foliage framing the upper-left corner, against a warm, muted tan background that opens up across the right side of the image.

Pip runs up to the hive in the oak. The bees see all that goes on. They buzz and poke all day. 'Bees!' Pip calls out. 'Did any bee see who took my nuts?' A hum comes back from the hive. 'We did not see it. We did not see it at all.' 'Is that right?' says Pip. 'Nuts do not roll off on their own!'

Page 5
On the right side of the image, Pip the orange squirrel is tumbling through the air upside-down with wide eyes and a small open mouth, her expression bright and surprised, almost playfully curious, with arms and legs spread outward mid-tumble. Four bees buzz around her with dotted flight trails, one to her left and three scattered to her right near her body and tail. Green leaves and tiny debris fly around the scene, emphasising the motion of being tossed about. The left side is plain pale yellow-green background, and the overall setting is an outdoor daytime scene with soft, warm, even lighting.

'Is that right?' asks Pip. 'Is that right? Is that RIGHT?' She asks one time too many. The bees rush at her in a buzzing cloud. Pip slips off the branch, flips, and drops down to the grass far below. 'Fine!' she yells on the way down. 'I will ask a fly!'

Page 6
On the left side of the image, Pip stands looking up with mouth open in a pleading or asking expression, facing toward the fly. The fly hovers in the air just above and to the left of Pip, near some yellow wildflowers and a grey rock. The fly appears to be turning away, suggesting disinterest. The scene is set outdoors on a muted olive-green background with a natural, grassy feel. The right ~40% of the image is plain background with no characters or detail.

Pip gets up and spots a fly by the yellow flowers. 'Fly! Help me hunt for my nuts!' The fly gazes at her for one long blink. Then he turns and buzzes off the other way. 'Wow,' Pip moans. 'No bird saw it. No bee saw it. No fly will help.' She sits on a rock with a big frown. This is a bad, bad day.

Page 7
On the right side of the image, Pip and Liz are perched together on the thick branches of a large tree. Liz is standing on a branch above Pip, waving down with a warm smile and holding a piece of fruit in her other hand, offering it to Pip. Pip stands on a lower branch looking up at Liz with a gentle, appreciative expression and one paw raised in a polite declining gesture. The scene is set outdoors in autumn, with orange and yellow leaves drifting through the air around the bare branches. The left side of the image is open background showing the muted, warm-toned trunk and branches of the tree.

'Pip! Up here!' Liz calls from a branch. She holds food out to Pip. 'No nuts! That is so sad. Take this food, Pip.' Pip looks up. Something in Pip growls. She is so hungry. But she says no. 'Keep it, Liz. I will fix this.' Liz smiles. Pip is like that. She will not bend, but she is good to all.

Page 8
On the left side of the image, Pip sits on a tree branch, leaning forward with a gentle, thoughtful expression as she looks toward Liz. Liz is perched on the same branch closer to the tree trunk, facing Pip with a calm, reassuring expression. The scene is set outdoors in a forest with tall tree trunks, leafy branches overhead, and small vines with yellow flowers climbing the bark. The right side of the image is open background of muted tree trunk and foliage.

Liz comes down and sits by Pip on the branch. For a bit, no one says a thing. Then Liz speaks. 'Pip, all the town sees how hard those nuts were to get. No one here would steal them.' Pip blinks. 'Wait,' she says, slow and low. 'If no one took my nuts... then where did the nuts go?'

Page 9
On the right side of the image, Pip, a bright orange-red squirrel with a large curled fluffy tail, clings headfirst to a large pale-grey tree trunk near the top of the frame, facing downward with a determined, slightly smiling expression as she begins climbing down, her paws gripping the bark. At the base of the tree stands a brown beaver with a cream belly, prominent front teeth, and a flat cross-hatched tail, glaring upward with a grumpy, frowning expression while pressing one paw against the trunk. The scene is set outdoors in a muted, autumnal woodland with golden-yellow foliage clustered along the lower right and behind the trunk, rendered in soft, textured tones. The left side of the image is open pale cream background, with the composition dominated by the broad tree trunk and subdued earthy tones.

Pip's tail flips up. She grips the bark and goes down the trunk, sniffing as she goes. If no one took the nuts up, then the nuts may have rolled down! Lower and lower she goes, past the homes, past the dark holes, down to the roots below. And then, a soft sound. A small, shy sound.

Page 10
On the left side of the image, Pip and the beaver are on the ground near the base of a large tree in an autumn forest, bending down to pick up scattered nuts and acorns that are strewn across the ground. A small hole is visible in the ground where the beaver's digging broke through to Pip's store. Pip has a relieved, understanding expression while the beaver appears sorry and apologetic as they gather the fallen food together. The scene is set outdoors in a wooded area with tall birch-like trees and falling autumn leaves, with soft, muted earthy tones throughout. The right ~40% of the image is plain muted brown background with no characters or detail.

A little fellow sits at the base of the oak, by a big pile. Pip's nuts! This is Bud. Bud digs holes to stow his own food. But this hole is too deep. It goes right into Pip's store, and all the nuts roll down into it. 'I feel so bad,' Bud moans, ears low. 'I did not mean it. I did not think the nuts had an owner.' Pip looks at her nuts. Then she grins. 'All that fuss, and it is just a hole in the ground!'

Page 11
On the right side of the image, Pip is shown twice in a sequential scene. In the lower right, Pip stands with a determined expression, hammering wooden planks over a hole at the base of a large tree. In the upper right near the tree trunk, a smaller Pip is seen climbing upward toward a treehouse nestled in the branches above, with green leaves scattering in the breeze. The scene is set outdoors on a calm day with soft, muted earthy tones, wispy clouds in the sky, and a tall bare-branched tree dominating the right side of the composition. The left ~40% of the image is plain background.

Pip does not just stow nuts. She can fix things. She gets planks. She gets nails. She hammers planks across the hole. Bang, bang, bang! Now the hole is shut tight. 'There,' she says. 'No one's nuts will roll down there now.' Then she tucks all her nuts back in place and goes up to her home in the branches.

Page 12
On the left side of the image, Pip is sitting contentedly in a cosy armchair, tucked under a green plaid blanket with a peaceful, satisfied smile on her face. She gazes out through a large window in the centre of the scene, where autumn leaves in warm oranges and reds drift past. The indoor setting is a warm, comfortable living room with a small round coffee table holding a cup, potted plants on a shelf above, and soft natural light streaming through the window — evoking a sense of cosy readiness for winter.  The house Pip is in is clearly a wooden house perched up high in a tree, and the view from the window reflects that.

Pip sinks into her seat, pulls up a blanket, and looks at the sunset glow in the window. All her nuts are safe. All are back in place. She sips her tea and smiles. In the morning she will go and thank Liz. 'Who took my nuts?' Pip says with a grin. 'No one did. No one at all!'

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