Catch That Nut Robber! UFLI Foundations Lesson 108

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Catch That Nut Robber!

Practice Words

planner biggest madder robber bummer chatter digger napper patter quitter saddest scatter snuggest
Page 1
On the right side of the image, a large brown tree trunk extends diagonally with branching limbs, dotted with several dark holes. Small houses with red-orange roofs and pale yellow walls sit along the branches, forming a tiny township. Green leaves sprout from the branch tips, and soft white clouds drift between the branches. The left side is open, warm-toned sky. No characters are visible in the scene.

High in the biggest tree on Nut Hill sat a tiny town. Each home had a red roof and a dark little door. A bark path went from the town all the way down to the ground. Dark little holes dotted the trunk. And every one of those holes was the nut store of one very busy planner named Pip.

Page 2
On the left side of the image,  Pip crouches with a determined expression beside a large tree, tucking nuts into a hole among dark rocks and large orange pumpkins. A slender tree with sparse autumn leaves stands in the background, and two small green birds flutter above. The right side of the image opens into a plain, soft cream-coloured sky with no detail.  There is only one Pip.

Pip had been grabbing nuts from the day the first leaf turned red. She stuffed them in every hole she could find. One nut by the rock, three by the tree, an armful crammed in the hole by the pumpkin patch. 'Forty-six, forty-seven,' she counted, then ran down the hill for more. Pip was the best planner on the hill, and Pip was no quitter.

Page 3
On the right side of the image, Pip is crouched low on the ground with a shocked, disbelieving expression, peering at a small empty hole in the earth where her nuts were stored. The bird hops over toward Pip, appearing calm and conversational. The scene is set outdoors on a grassy area with large tree trunks and subtle foliage visible in the background, suggesting a suburban yard or park setting with soft, warm daylight.

The next morning, Pip checked her best spot. Empty. She checked every hole in the trunk and every hole in the ground. Not one nut. Not one crumb. 'Who took my nuts?' Pip yelled, madder by the minute. A bird hopped over. 'Not me. I eat worms.' 'Well, a robber took them,' said Pip. 'And I will find out who.'

Page 4
On the left side of the image, Pip clings to a tree branch near a large beehive, looking up at it with a curious expression. Several bees buzz around the hive and near Pip. The scene is set outdoors in a leafy tree with green foliage framing the upper-left corner, against a warm, muted tan background that opens up across the right side of the image.

Pip ran up to the beehive. The bees would know. They were the biggest chatters on the hill, and they saw all that went on. 'Bees!' Pip called. 'Did any of you see who took my nuts?' The bees hummed back as one. 'We did not see a thing.' 'Is that true?' said Pip. 'Forty-nine nuts can't just hop off on their own.'

Page 5
On the right side of the image, Pip the orange squirrel is tumbling through the air upside-down with wide eyes and a small open mouth, her expression bright and surprised, almost playfully curious, with arms and legs spread outward mid-tumble. Four bees buzz around her with dotted flight trails, one to her left and three scattered to her right near her body and tail. Green leaves and tiny debris fly around the scene, emphasising the motion of being tossed about. The left side is plain pale yellow-green background, and the overall setting is an outdoor daytime scene with soft, warm, even lighting.

'Did you check?' Pip asked. 'Did each bee check? Did every last bee check?' That was one ask too many. Now the bees were madder than Pip. They rushed at her in a buzzing cloud. Pip lost her grip, flipped upside down, and crashed all the way to the ground. Leaves scattered all about. 'Fine!' she yelled on the way down. 'I will go ask the others!'

Page 6
On the left side of the image, Pip stands looking up with mouth open in a pleading or asking expression, facing toward the fly. The fly hovers in the air just above and to the left of Pip, near some yellow wildflowers and a grey rock. The fly appears to be turning away, suggesting disinterest. The scene is set outdoors on a muted olive-green background with a natural, grassy feel. The right ~40% of the image is plain background with no characters or detail.

Pip got up and spotted a fly by a patch of wildflowers. 'Fly!' she called. 'Help me hunt for my nuts!' The fly just looked at her. Then he turned and flew the other way. 'Fine,' Pip muttered. 'Nobody saw a thing. Nobody wants to help.' She sat down on a rock and put her head in her paws. It was the saddest day ever.

Page 7
On the right side of the image, Pip and Liz are perched together on the thick branches of a large tree. Liz is standing on a branch above Pip, waving down with a warm smile and holding a piece of fruit in her other hand, offering it to Pip. Pip stands on a lower branch looking up at Liz with a gentle, appreciative expression and one paw raised in a polite declining gesture. The scene is set outdoors in autumn, with orange and yellow leaves drifting through the air around the bare branches. The left side of the image is open background showing the muted, warm-toned trunk and branches of the tree.

'Pip! Up top!' Liz was waving from a branch with a big bit of fruit. 'I know about your nuts. What a bummer! Want a bit of mine?' Pip looked up. Her belly growled. That fruit looked so good. But she shook her head. 'No thanks, Liz. Save it for your birthday. I will fix this.' Liz smiled. That was Pip. Stubborn, but always thinking of her friends.

Page 8
On the left side of the image, Pip sits on a tree branch, leaning forward with a gentle, thoughtful expression as she looks toward Liz. Liz is perched on the same branch closer to the tree trunk, facing Pip with a calm, reassuring expression. The scene is set outdoors in a forest with tall tree trunks, leafy branches overhead, and small vines with yellow flowers climbing the bark. The right side of the image is open background of muted tree trunk and foliage.

Liz sat down beside Pip. For a bit, nobody spoke. Then Liz said, 'We all see how hard you work, Pip. Nobody would steal from you.' Pip blinked. Her face went red. She had been so busy asking who took her nuts, she had never stopped to ask if a robber took them at all. 'Wait,' said Pip. 'If nobody took them, then where did they go?'

Page 9
On the right side of the image, Pip, a bright orange-red squirrel with a large curled fluffy tail, clings headfirst to a large pale-grey tree trunk near the top of the frame, facing downward with a determined, slightly smiling expression as she begins climbing down, her paws gripping the bark. At the base of the tree stands a brown beaver with a cream belly, prominent front teeth, and a flat cross-hatched tail, glaring upward with a grumpy, frowning expression while pressing one paw against the trunk. The scene is set outdoors in a muted, autumnal woodland with golden-yellow foliage clustered along the lower right and behind the trunk, rendered in soft, textured tones. The left side of the image is open pale cream background, with the composition dominated by the broad tree trunk and subdued earthy tones.

Pip's tail twitched. She gripped the bark and started down the trunk, nose first, sniffing as she went. If nobody had taken the nuts up, then maybe the nuts had dropped down. Lower and lower she went, past the homes, past the dark holes, all the way down to where the roots spread out like big toes. Then a sound came up to her. A soft patter. A small, shuffling sound.

Page 10
On the left side of the image, Pip and the beaver are on the ground near the base of a large tree in an autumn forest, bending down to pick up scattered nuts and acorns that are strewn across the ground. A small hole is visible in the ground where the beaver's digging broke through to Pip's store. Pip has a relieved, understanding expression while the beaver appears sorry and apologetic as they gather the fallen food together. The scene is set outdoors in a wooded area with tall birch-like trees and falling autumn leaves, with soft, muted earthy tones throughout. The right ~40% of the image is plain muted brown background with no characters or detail.

A little beaver sat at the base of the tree, in a big pile of nuts. Pip's nuts! 'So sorry,' said the beaver, head down. 'My name is Bud. I am a digger, and I dug too deep. My den broke into the nut store, and every last nut rolled in. I did not know the nuts were yours.' Pip looked at her forty-nine nuts. Then she started to grin. All that fuss, and it was just a hole in the floor!

Page 11
On the right side of the image, Pip is shown twice in a sequential scene. In the lower right, Pip stands with a determined expression, hammering wooden planks over a hole at the base of a large tree. In the upper right near the tree trunk, a smaller Pip is seen climbing upward toward a treehouse nestled in the branches above, with green leaves scattering in the breeze. The scene is set outdoors on a calm day with soft, muted earthy tones, wispy clouds in the sky, and a tall bare-branched tree dominating the right side of the composition. The left ~40% of the image is plain background.

Pip was not just a planner. She was a builder. She grabbed planks and nails and hammered them across the hole until it was sealed up tight. Bang, bang, bang. 'There,' she said. 'Nobody's nuts will run off now.' Then she tucked every nut back in its spot and climbed up to her little home in the branches.

Page 12
On the left side of the image, Pip is sitting contentedly in a cosy armchair, tucked under a green plaid blanket with a peaceful, satisfied smile on her face. She gazes out through a large window in the centre of the scene, where autumn leaves in warm oranges and reds drift past. The indoor setting is a warm, comfortable living room with a small round coffee table holding a cup, potted plants on a shelf above, and soft natural light streaming through the window — evoking a sense of cosy readiness for winter.  The house Pip is in is clearly a wooden house perched up high in a tree, and the view from the window reflects that.

Pip sank into her seat, pulled up a snug blanket, and watched the sunset light fill the window. Forty-nine nuts. All safe. All counted. She took a sip of acorn tea and grinned. Tomorrow she would find Liz and say thanks. Because the answer was not 'who took my nuts.' The answer was 'maybe nobody did.' And that made Pip the snuggest napper on the hill.

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